Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.
My song has put off her adornments.
She has no pride of dress and decoration.
Ornaments would mar our union;
they would come between thee and me;
their jingling would drown thy whispers.
My poet’ s vanity dies in shame before thy sight.
O master poet, I have sat down at thy feet.
Only let me make my life simple and straight,
like a flute of reed for thee to fill with music.
In my car, driving through Black Mountain,
North Carolina, I listen to what
sounds like Doris Day shooting
heroin inside Sly Stone’ s throat.
One would think that she fights
to get out, but she wants to stay
free in this skin. Fresh,
The Family Stone’ s album,
came out in ’73, but I didn’ t make sense
of it till ’76, sixth grade for me,
the Bicentennial, I got my first kiss that year,
I beat up the class bully; I was the man.
He fancies his chances are good with her,
unaware that in the years since the war
she has come to prefer women whose cunts
taste like mustard. To pin one’ s hopes on
a bark-colored moth, its wings crinkled
like crepe paper, a moth affixed high
on the kitchen wall, frozen for days where
it will likely die in noble clinging mode
just under the cobwebby heating vent,
is to confirm your need for more friends
and a greater daily quota of sunlight.
To raise C.’ s hopes that T. can stop
A sycamore grove, and in its limbs
the orchestra played Má vlast, so I saw
boughs bouncing and tuxedo legs
swinging sap-spotted above the splayed
blades of the ground feathered black
in moss, in the sweat of the set sun,
and the players’ faces where moths roosted,
where leaf-points drew water-stripes
on brows and eyelids, their hands
that stirred in pollen like a fog, were masked
by birds’ nests and bows and flaking vines.
We’ re all pagans and shamans and clap your hands now we won’ t stop the beat
We believe in divine healing and we hate to see that evening sun go down
We know when the sight of our women dressed in white each ritual night, is touching, hypnotizes
The animals blush and split for us as revival, as revealed to themselves
These are triumphant women.
Even Sister Fame hiding out in the alley turning tricks and singing verses from the undid scripture, is touching
As we sat at the feet of the string quartet,
in their living room, on a winter night,
through the hardwood floor spurts and gulps
and tips and shudders came up, and the candle-scent
air was thick-alive with pearwood,
ebony, spruce, poplar, and horse
howled, and cat skreeled, and then,
The bugle sounds the measured call to prayers,
The band starts bravely with a clarion hymn,
From every side, singly, in groups, in pairs,
Each to his kind of service comes to worship Him.
Cigarettes in my mouth
to puncture blisters in my brain.
My bass a fine piece of furniture.
My fingers soft, too soft to rattle
rafters in second-rate halls.
The harmonies I could never learn
stick in Ayler's screams.
An African chant chokes us. My image shot.
If you look off over the Hudson,
the dark cooperatives spit at the dinghies
floating up the night.
New York! At first I was bewildered by your beauty,
Those huge, long-legged, golden girls.
So shy, at first, before your blue metallic eyes and icy smile,
So shy. And full of despair at the end of skyscraper streets
Raising my owl eyes at the eclipse of the sun.
Your light is sulphurous against the pale towers
Whose heads strike lightning into the sky,
Skyscrapers defying storms with their steel shoulders
And weathered skin of stone.
But two weeks on the naked sidewalks of Manhattan —
At the end of the third week the fever
