Music

Siren Song

This is the one song everyone
would like to learn: the song
that is irresistible:

the song that forces men
to leap overboard in squadrons
even though they see the beached skulls

the song nobody knows
because anyone who has heard it
is dead, and the others can't remember.

Shall I tell you the secret
and if I do, will you get me
out of this bird suit?

I don't enjoy it here
squatting on this island
looking picturesque and mythical

Ode for Donny Hathaway

and then there are the one-hit zombies
cursed to an eternity of Monday nights

who runs our music does not make it
controls manufacture and marketing of rhythm
schemes on and fixes the charts. it’ s polyphonic
from the dark of the chitlin to solid gold dawn
doublecrossed over

a love come down

after the plunge
sloshing around in limbo

that too sweet gospel splash

Switchblade

Most of the past is lost,
and I’ m glad mine has vanished
into blackness or space or whatever nowhere
what we feel and do goes,
but there were a few cool Sunday afternoons
when my father wasn’ t sick with hangover
and the air in the house wasn’ t foul with anger
and the best china had been cleared after the week’ s best meal
so he could place on the table his violins
to polish with their special cloth and oil.
Three violins he’ d arrange
side by side in their velvet-lined cases

Money Is Also a Kind of Music

Money is also a kind of music.
I don't mean the slight sleigh bell
of a pocketed change purse
or an old-time till's single tap
of triangle, ringing
up sale, or even the percussion
of post-pillage coffers filling
up, plink by plink. I think
I mean that current
of classically trained breath
certain amounts of currency
can call forth
and blow through brass.
I mean the mean
current of electricity
Carol Kaye's bass drew
from Capitol Records in the sixties,

Hip-Hop Ghazal

Gotta love us brown girls, munching on fat, swinging blue hips,
decked out in shells and splashes, Lawdie, bringing them woo hips.

As the jukebox teases, watch my sistas throat the heartbreak,
inhaling bassline, cracking backbone and singing thru hips.

Like something boneless, we glide silent, seeping 'tween floorboards,
wrapping around the hims, and ooh wee, clinging like glue hips.

Engines grinding, rotating, smokin', gotta pull back some.
Natural minds are lost at the mere sight of ringing true hips.

Chord

A man steps out of sunlight,
sunlight that streams like grace,

still gaping at blue sky
staked across the emptiness of space,

into a history where shadows
assume a human face.

A man slips into silence
that began as a cry,

still trailing music
although reduced to the sigh

of an accordion
as it folds into its case.

Ceriserie

Music: Sexual misery is wearing you out.
Music: Known as the Philosopher’ s Stair for the world-weariness which climbing it inspires. One gets nowhere with it.
Paris: St-Sulpice in shrouds.
Paris: You’ re falling into disrepair, Eiffel Tower this means you! Swathed in gold paint, Enguerrand Quarton whispering come with me under the shadow of this gold leaf.
Music: The unless of a certain series.
Mathematics: Everyone rolling dice and flinging Fibonacci, going to the opera, counting everything.
Fire: The number between four and five.

Cant

Thar he blows! Plus, tusks
crushed into grins, grins
host to, guest of, impish

Nature, her fort/da “jewels”
glassified behind blank
opposable pupils — Ahabit perfected

(“perhaps memory”) by/for the dicey
Veil. Auto-didact/-dialectics
staged in rent-to-rent

“crowded houses,” asea to har-har-
poon Terrible Tom’ s tom-tom
stutter — VAC C. Gone

but for “language, music,
imitation and perhaps memory.”
Owns no umbrella to forget to splay

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