You were whiny and socially unacceptable even
to loud young men whose first criterion
for rock and roll was that it strike someone else
as awful and repulsive and you told
grim stories about such obscure affairs
as a man-killing Zamboni and a grudge-
laden marathon runner from Zanzibar
who knifed a man after finishing sixteenth
She left me at the silent time
When the moon had ceas'd to climb
The azure path of Heaven's steep,
And like an albatross asleep,
Balanc'd on her wings of light,
Hover'd in the purple night,
Ere she sought her ocean nest
In the chambers of the West.
She left me, and I stay'd alone
Thinking over every tone
Which, though silent to the ear,
The enchanted heart could hear,
Like notes which die when born, but still
Haunt the echoes of the hill;
And feeling everoh, too much!
I would not paint — a picture —
I'd rather be the One
It's bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —
I would not talk, like Cornets —
I'd rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —
Under the separated leaves of shade
Of the gingko, that old tree
That has existed essentially unchanged
Longer than any other living tree,
I walk behind a woman. Her hair's coarse gold
Is spun from the sunlight that it rides upon.
Women were paid to knit from sweet champagne
Her second skin: it winds and unwinds, winds
Up her long legs, delectable haunches,
As she sways, in sunlight, up the gazing aisle.
The shade of the tree that is called maidenhair,
That is not positively known
The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
Even with insects —
some can sing,
some can’ t.
Oh down at the tavern
the children are singing
around their round table
and around me still.
Did you hear what it said?
Let the musicians begin,
Let every instrument awaken and instruct us
In love’ s willing river and love’ s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.
Now may the chief musician say:
“Lust and emulation have dwelt amoung us
Like barbarous kings: have conquered us:
Have inhabited our hearts: devoured and ravished
— With the savage greed and avarice of fire —
The substance of pity and compassion.”
Your body, hard vowels
In a soft dress, is still.
What you can't know
is that after you died
All the black poets
In New York City
Took a deep breath,
And breathed you out;
Dark corners of small clubs,
The silence you left twitching
On the floors of the gigs
You turned your back on,
The balled-up fists of notes
Flung, angry from a keyboard.
You won't be able to hear us
Try to etch what rose
Off your eyes, from your throat.
They explained to me the bloody bandages
On the floor in the maternity ward in Rochester, N. Y.,
Cured the backache I acquired bowing to my old master,
Made me stop putting thumbtacks round my bed.
They showed me an officer on horseback,
Waving a saber next to a burning farmhouse
And a barefoot woman in a nightgown,
Throwing stones after him and calling him Lucifer.
