Song and Dance
Did you ever have a family?
Dark
dining room,
bright kitchen,
white steam
from the big pot my mother’ s stirring
reaching in wavy tendrils to her face,
around her face, all the way around
Did you ever have a family?
Dark
dining room,
bright kitchen,
white steam
from the big pot my mother’ s stirring
reaching in wavy tendrils to her face,
around her face, all the way around
Amongst dogs are listeners and singers.
My big dog sang with me so purely,
puckering her ruffled lips into an O,
beginning with small, swallowing sounds
like Coltrane musing, then rising to power
and resonance, gulping air to continue —
her passion and sense of flawless form —
singing not with me, but for the art of dogs.
We joined in many fine songs — "Stardust,"
"Naima," "The Trout," "My Rosary," "Perdido."
She was a great master and died young,
leaving me with unrelieved grief,
her talents known to only a few.
You’ re clean shaven in this country
where trees grow beards of moss,
where even bank tellers
look a little like banditos
in vests as pungent as sweatsuits.
Still, you prefer the vegetable air
to almost any other place on the map.
After the heart attack,
you considered Paris —
the flying buttresses,
the fractured light of its cathedrals;
The political contributions of whatever he creates are coincidental
and, in any event, irrelevant. The musician may not be relying on
mathematical acoustics in his calculations. He may be performing
for auditoriums; thus, his physical realities change as he travels. Music
seems inevitable. Every question entails some notion of what is being asked.
The motley nature is not alien. Certain sounds guide the vulgar mind
to notions not anticipated by those creating the sounds. A bartender
Breakfast, and I’ m eating plain yogurt, figs from my garden, and honey.
I’ m sitting in a lawn chair on the backyard patio —
life is good, and the sunlight warming my lap and the pages
of a book remind me of Tucson
and the subterranean apartment I rented alone and far from home.
There was a sofa in front of my one window
where at noon the sun burned briefly on the cushions as starlings
stirred in the trees with their admonishments.
Two guitars were left in a room all alone
They sat on different corners of the parlor
In this solitude they started talking to each other
My strings are tight and full of tears
The man who plays me has no heart
I have seen it leave out of his mouth
I have seen it melt out of his eyes
It dives into the pores of the earth
When they squeeze me tight I bring
Down the angels who live off the chorus
The trios singing loosen organs
With melodious screwdrivers
Sentiment comes off the hinges
By now the snow is easing
the live nerves of the wire fence
and the firs,
softening the distances it falls through,
laying down a rightness,
as in the spackled whites,
the woodgrains of a room’ s hush
before music,
before a lush legato in whose unctions
the excruciations ease,
as in the first
Gone to seed, ailanthus, the poverty
tree. Take a phrase, then
fracture it, the pods’ gaudy nectarine shades
ripening to parrots taking flight, all crest
and tail feathers.
A musical idea.
Macaws
scarlet and violet,
tangerine as a song
Whenever my father was left with nothing to do —
waiting for someone to 'get ready',
or facing the gap between graduate seminars
and dull after-suppers in his study
grading papers or writing a review —
he played the piano.
sometimes the deaf
hear better than the blind
some men
when they first
heard her sing
were only attracted
to the flower in her hair