Mythology & Folklore

An Offering for Patricia

The work has been going forward with the greatest difficulty, chiefly because I cannot concentrate. I have no feeling about whether what I am writing is good or bad, and the whole business is totally without excitement and pleasure for me. And I am sure I know the reason. It’ s that I can’ t stand leaving unresolved my situation with Pat. I hear from her fairly frequently, asking when I plan to come back, and she knows that I am supposed to appear at the poetry reading in the middle of January. It is not mainly loneliness I feel, though I feel it; but I have been lonely before.

Millions of Us

Purportedly a chain of civilians, soldiers, voices
lice they were called. It is sometimes sufficient to beg
Lice creeping over one, kill them with a chemical;
then there are lice-ghosts everywhere. Glints of pearly
nails. The light of my beloved will keep me from noticing.
Trailer to keep her in; he asked me if I knew her ‘auction name.’
Walked over the scorch; what are values when there’ s nothing here?
The wing of a dead soul grows into all the lace you see through,
foreigner, lice-ridden article of divestment. Splendid vices

from Mercian Hymns

I

King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: moneychanger: commissioner for oaths: martyrologist: the friend of Charlemagne.

‘I liked that,’ said Offa, ‘sing it again.’

IV

I was invested in mother-earth, the crypt of roots and endings. Child’ s-play. I abode there, bided my time: where the mole

Before the Mirror

Now like the Lady of Shalott,
I dwell within an empty room,
And through the day and through the night
I sit before an ancient loom.

And like the Lady of Shalott
I look into a mirror wide,
Where shadows come, and shadows go,
And ply my shuttle as they glide.

Not as she wove the yellow wool,
Ulysses’ wife, Penelope;
By day a queen among her maids,
But in the night a woman, she,

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore —
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’ Tis some visitor,” I muttered, “tapping at my chamber door —
Only this and nothing more.”

In the Past

There lies a somnolent lake
Under a noiseless sky,
Where never the mornings break
Nor the evenings die.

Mad flakes of colour
Whirl on its even face
Iridescent and streaked with pallour;
And, warding the silent place,

The rocks rise sheer and gray
From the sedgeless brink to the sky
Dull-lit with the light of pale half-day
Thro’ a void space and dry.

And the hours lag dead in the air
With a sense of coming eternity
To the heart of the lonely boatman there:
That boatman am I,

Mnemosyne

It’ s autumn in the country I remember.

How warm a wind blew here about the ways!
And shadows on the hillside lay to slumber
During the long sun-sweetened summer-days.

It’ s cold abroad the country I remember.

The swallows veering skimmed the golden grain
At midday with a wing aslant and limber;
And yellow cattle browsed upon the plain.

It’ s empty down the country I remember.

I had a sister lovely in my sight:
Her hair was dark, her eyes were very sombre;
We sang together in the woods at night.

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