Relationships

At once this dragnet of cousins
Whips its way into your presence saying
None of them among us. They are
Oracles on the court of midnight,
The tight filigree of a mind or your
Splashing around in, your pandemonium
Of copper graffiti inexpertly put up.
They make weapons of furled hands.
“We will walk, but our bones will carry
Ribbons of lead, or we will, like
Acrobats mill-headed in 3s (3 blades,
3 hips, 3 tongues), answer to what comes
Before, what comes before?” Eleousa,
Master of Dark Eyelids, eye opening

¿ are you
on the other side
waiting
for alarms
in a desert
of sleepless
evaporations?

¿ are you
beside yourself
in the aisles
that distance
makes shorter

than light waves
in the daylight
that pounds
a lead slab
in the soup
that the winter
dissolves?

When I stop to consider my calling, remark
the places a wayward temper impelled me
I’ ve found in light of where I wandered lost
the most appalling evils could have befallen;
but when I disregard the journey it’ s hard to
even fathom I endured so much affliction;
what’ s more, my days being spent, I feel I’ ve
seen my wariness go with them. I’ ll come to
my end, for I surrendered artless to someone
with the science to dispel and destroy me if
so inclined, else the know-how to want to;

On the volatile nights of a winter
nature corroborates with magnanimity
a Cuban is in training for amusement or amnesia,
so often and unfairly assumed as the same,
he brings candy to God, he cultivates the vernacular, he fights off
cirrhosis with fruit poached in syrup, he conducts business;
thus research has shown that The Cuban is resourceful.
In the weighty choreographies of a summer
nature authorizes already with suspicion
a Cuban meets the ocean with offerings and harpoons,
so often and unfairly assumed as the same,

“All accounts of the past are made up of possibilities.”
— Dionisio Martinez

for Larry Villanueva

Our big city is a city of big bombs and big bicycles, we hire grafters for their pretty art. To force a shoot inside a shoot, to grow an apple on a crab, to grow a plum upon a leprechaun. Dyspepsia is often grafted upon hysteria. To grow a boy inside a belly, cutting capers. Words, through grace, are grafted in our heart and the orange bears a greener fruit that blossoms as it swells. With imperfect grace from that perfect grace from wherever that perfect grace may remain.

“I’ m glad you’ re positive.”
“I’ m glad you’ re positive,

too, though, of course, I wish
you weren’ t.” I wish you weren’ t

either is the response I expect,
and you say nothing.

And who can blame you?
Not me. I’ m not the one

who’ ll call you after dinner and a movie.
You’ re not the one who’ ll call me.

We both know we have
that — what? — that ultimate date

one night to come, one bright morning.
Who can blame us? Not the forks

and not the knives that carry on
and do the heavy lifting now.

In which everything goes backwards
in time and motion
Palm trees shrink back into the ground
Mangos become seeds
and reappear in the eyes of Indian
women
The years go back
cement becomes wood
Panama hats are seen upon skeletons
walking the plazas
Of once again wooden benches
The past starts to happen again
I see Columbus’ s three boats
going backwards on the sea
Getting smaller
Crossing the Atlantic back to the

you are falling
sun shine miracle
your lips are wet
rain
to our hearts
floods in every opening

on the stoop your skirt rises
fingers go up your legs

you are falling in the streets

the hallways of east harlem
the dark hallways of east harlem
the dark hallways with mattresses
of east harlem
you are falling

is the six-chambered cylinder,
the spinnable heart,
how it clicks into place,

lonely but strong by design.
She understands its negative worth,
how it holds in the dark

and withstands what is held,
how it burns and smells
of smoke when left and left and left.