The sprig of unknown bloom you sent last fall
spent the long winter drying on my wall,
mounted on black. But it had turned to fluff
some months ago. Tonight I took it down
because I thought that I had had enough
of staring at it. Brittle, dry and brown,
it seemed to speak too plainly of a waste
of friendship, forced to flower, culled in haste.
When I feel the old hunger coming on,
I think of my two great-aunts,
A farmer’ s daughters,
Speaking into the dusk in North Dakota.
I imagine the dark baron
Riding out of their mouths,
Thick-skinned and girded
Against disaster, swathed
In cuirass and chainmail and a curse.
My hunger was theirs
Too long ago. It swims in my blood,
Groping for a foothold.
It is the dark I thrust my tongue against,
The wine and the delicate symphony
That makes my head tick so exquisitely
Tonight. My ladies,
I wish we could control this revolting
want of control: these people
with their spongy eyes, their mouths
of trembling shoehorns, billhooks for penises
and bear traps for vulvas.
One taste of sunlight and at once
they can’ t do without it. Water,
the same, and food, and air,
and a dozen other squalid habits.
Some — like their copulation,
a rusting carnation in a cut-glass neck —
are not physically compulsive but
the partners can’ t stop wanting them to be:
so we desire to be raped
Your parents had reached a long slow time,
as animals do, the great center of their lives,
when they gleam in their fells as though eternally,
unchanging. Or as a day can seem eternal
if you lie and watch the full clouds, conscious
of your own time: you soon must get up and leave.
So father, mother, the small shabby town,
its patch of earth going on as though forever: you
forgot them there, where they’ d been since you started out
and where you could find them again — as anyone
forgets what he has to lean on
You couples lying
where moon-scythes and day-scythes reaped you,
browning fruit falls and sleeps
in tangled nests, the wild grass,
falls from your apple tree that still grows here:
cry for your dead hero, his weak sword, his flight,
that you were slaughtered and your bed poured whiteness,
the issue of murdered marriage dawns.
The streets crack, a house falls open to the air,
sun and rain lie on the bed.
And the river still runs in a child’ s hands
under the factory’ s black hulk,
He glanced around to check if the treacherous gods
had really given him the reward promised for his accomplished song
and there she was, Eurydice restored, perfectly naked and fleshed
in her rhyming body again, the upper and lower smiles and eyes,
the line of mouth-sternum-navel-cleft, the chime of breasts and hips
and of the two knees, the feet, the toes, and that expression
of an unimaginable intelligence that yoked all these with a skill
she herself had forgotten the learning of: there she was, with him
When History turns soldiers into battles, you turn them into grass.
Bashō, Sweet, is it honorable? But for these men who died with grunts
and clangs in their ears, for their horses with snapped legs, I haven’ t got
the art to make them into anything. I fold the grass in the shape
of a man, very literal, very primitive and leave it on
the field and say, “Forgive me valorous men for my ineptitude.”
Just then, the little man falls down in the wind and — huh! — there is art.
In case you sit across from the meteorologist tonight,
and in case the dim light over the booth in the bar still shines
almost planetary on your large, smooth, winter-softened
forehead, in case all of the day — its woods and play, its fire —
has stayed on your beard, and will stay through the slight
drift of mouth, the slackening of even your heart's muscle —
... well. I am filled with snow. There's nothing to do now
but wait.
I know I promised to stop
talking about her,
but I was talking to myself.
The truth is, she’ s a child
who stopped growing,
so I’ ve always allowed her
to tag along, and when she brings
her melancholy close to me
I comfort her. Naturally
you’ re curious; you want to know
how she became a gnarled branch
veiled in diminutive blooms.
But I’ ve told you all I know.
I was sure she had secrets,
but she had no secrets.
I had to tell her mine.
The count of cappuccino,
the marquise of meringue,
all the little cantuccini...
and what was the song they sang?
Oh, the best of us is nothing
but a sweetening of the air,
a tryst between the teeth and tongue:
we meet and no one’ s there
though the café’ s always crowded
as society arrives
and light glints to and fro between
the eyes and rings and knives.
