Although a tide turns in the trees
the moon doesn't turn the leaves,
though chimneys smoke and blue concedes
to bluer home-time dark.
Though restless leaves submerge the park
in yellow shallows, ankle-deep,
and through each tree the moon shows, halved
or quartered or complete,
In every life there’ s a moment or two
when the self disappears, the cruel wound
takes over, and then again
at times we are filled with sky
or with birds or
simply with the sugary tea on the table
said the old woman
I know what you mean said the tulip
about epiphanies
for instance a cloudless April sky
the approach of a butterfly
but as to the disappearing self
no
I have not yet experienced that
My poems: fledglings, heirs,
Plaintiffs and executors,
The silent ones, the loud,
The humble and the proud.
As soon as the shovel of time
Threw me onto the potter’ s wheel —
Myself without kith or kin —
I grew beneath the hand, a miracle.
Something stretched out my long neck
And hollowed round my soul
And marked on my back
Legends of flowers and leaves.
I stoked the birch in the fire
As Daniel commanded
And blessed my red temper
Until I spoke as a prophet.
All those poems I wrote
About living in the sky
Were wrong. I live on a leaf
Of a fern of frost growing
Up your bedroom window
In forty below.
I live on a needle of a branch
Of a cedar tree, hard-bitten,
Striving in six directions,
Rooted in rock, a cedar
Tree made of other trees,
Not cedar but fir,
Lodgepole, and blue spruce,
Metastasizing like
Bacteria to the fan-
Lip of a draw to draw
Water as soon as it slips
From the snowdrift’ s grip
We’ ve come back to the site of her
conception. She calls it why
and cries all night,
sleepless, wild.
It seems the way is always
floating and the goal —
to live so the ghosts we were
don’ t trail us and echo.
I think we are inside a flower,
under a pollen of stars vast as scattered sand.
The air pulses with perfume,
flowers calling to flowers and the ferrying air.
But my eyes are thin and elsewhere.
I am thinking, maybe
She wears the run-down slippers of a local
and in her arms, five rare protea
wrapped in newsprint, big as digger pine cones.
Our hands can’ t help it and she lets us touch.
Her brother grows them for her, upcountry.
She’ s spending the day on Oahu
with her flowers and her dogs. Protea
Gift of a friend, the stone Buddha sits zazen,
prayer beads clutched in his chubby fingers.
Through snow, icy rain, the riot of spring flowers,
he gazes forward to the city in the distance — always
east
the whole moon
burns behind jamestown
seven wings of geese
light the thin ice
west
the asian sun
bloody on the interstate
spring flowers
break on the gray prairie
exit
fingerprints
on the rearview mirror
feral shadows
transposed near fargo
In the barn demoted to garage,
the ax in a cherry stump can’ t be budged.
Daylight perforates siding despite
the battered armor of license plates —
corroded colors, same state: decay,
their dates the only history
of whoever tilled the soil
and left, as a welcome, the skull
of a possum nailed to the door, and the trail
of lime to the torn sack
in a corner where cobwebs festoon a scythe.
Rusted sharp, it sings
when he grips its splintery handle, swings,
and crowns topple from Queen Anne’ s lace.
All these years I overlooked them in the
racket of the rest, this
symbiotic splash of plant and fungus feeding
on rock, on sun, a little moisture, air —
tiny acid-factories dissolving
salt from living rocks and
eating them.
Here they are, blooming!
Trail rock, talus and scree, all dusted with it:
rust, ivory, brilliant yellow-green, and
cliffs like murals!
Huge panels streaked and patched, quietly
with shooting-stars and lupine at the base.
