Thar he blows! Plus, tusks
crushed into grins, grins
host to, guest of, impish
Nature, her fort/da “jewels”
glassified behind blank
opposable pupils — Ahabit perfected
(“perhaps memory”) by/for the dicey
Veil. Auto-didact/-dialectics
staged in rent-to-rent
“crowded houses,” asea to har-har-
poon Terrible Tom’ s tom-tom
stutter — VAC C. Gone
but for “language, music,
imitation and perhaps memory.”
Owns no umbrella to forget to splay
This is your foreign correspondent,
Aristotle, for The Poetics,
reporting live from the Mediterranean
where the skulls and bones of a few Egyptians
crown the tradeships of His Majesty,
wave back and forth:
starfish — moons — Februaries.
To my right, our military advisor,
Hernando Cortez,
oversees operations at the Aztec/
Mexican border
where to the left of a stone no longer rising from water
a dove collects
its nest egg
upon the skeleton of a hummingbird.
The signature public
the only avant-garde
behind invention
wheelchairs (in) "the street."
Type (A) bleeds through the page —
or screen — it becomes —
a pool as it we're
one drop rules(.)
Individual talent
divides tradition
into tithes, tenths
and nationalized tribes —
catch-as-catch-can
market share erosion.
Staggered Lees
piggyback the Gap.
John Henry — busted by Keaton.
Gentlemen, 'e thinks,
as the bespoken,
it was the other
kind of happy
I had heard the story before
about the two prisoners, alone
in the same cell, and one
gives the other lessons in a language.
Day after day, the pupil studies hard —
what else does he have to do? — and year
after year they practice,
waiting for the hour of release.
They tackle the nouns, the cases, and genders,
the rules for imperatives and conjugations,
but near the end of his sentence, the teacher
suddenly dies and only the pupil
goes back through the gate and into the open
I have written a couple of poems about trees
poems about trees and snakes and lakes and birds
poems about nature and life in New England
I write crappy poems and eat babies
if you like poems about trees you’ re in for a treat
when I get nervous I get hyper and bump into people
I read to them what MapQuest gave me
round during then in the mom seeker panties
to help me narrow down the slut thing word jobs
rawr I’ m too stupid to be able to make my point clear
As it would for a prow, the basin parts with your foot.
Never a marsh, of heron blue
but the single red feather
from the wing of some black bird, somewhere
a planked path winds above water,
the line of sky above this aching space.
Movement against the surface
is the page that accepts no ink.
A line running even
over the alternating depths, organisms, algae,
a rotting leaf.
Her head bangs against the window
and dash when I stop and turn,
my legs too short to work
the brakes.
Mama’ s crooked
brow, her makeup smearing away,
slurs something about good
ol’ boy music, a pint of Kentucky
Deluxe in her hand. Two hours,
she said, and three days later,
Tuesday, she is finally wanting
to stop. I am getting better
at the turns, guiding her
Cutlass through these hills,
ten miles an hour, gravel roads,
the Cutlass
Any fool can get into an ocean
But it takes a Goddess
To get out of one.
What’ s true of oceans is true, of course,
Of labyrinths and poems. When you start swimming
Through riptide of rhythms and the metaphor’ s seaweed
You need to be a good swimmer or a born Goddess
To get back out of them
Look at the sea otters bobbing wildly
Out in the middle of the poem
They look so eager and peaceful playing out there where the
Air as lost time
Voice of a cloud, of a ghost crowned with nimbus
Smack-thin, it lingers forty years
I thought it came from the jeweled world we’ d seen
Everything stuffed, urgent, glittering alive
But it was just pleasure, blank and sure
Now what is there to sing
From speakers, the tune folds and fades in waves
Earphones drive it through your head
A charm,
a dream of protection.
Gurgles hold the night light’ s glow.
A stream of clouds
misting the branching tubes.
Water, in fog, a tub, plug to
wire in the wall saying
Okay, it’ s okay all night.
* * *
