I
Vowels ploughed into other: opened ground.
The mildest February for twenty years
Is mist bands over furrows, a deep no sound
Vulnerable to distant gargling tractors.
Our road is steaming, the turned-up acres breathe.
Now the good life could be to cross a field
And art a paradigm of earth new from the lathe
Of ploughs. My lea is deeply tilled.
I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
This saying good-bye on the edge of the dark
And cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.
I don't want it girdled by rabbit and mouse,
I don't want it dreamily nibbled for browse
By deer, and I don't want it budded by grouse.
(If certain it wouldn't be idle to call
I'd summon grouse, rabbit, and deer to the wall
And warn them away with a stick for a gun.)
Think of the storm roaming the sky uneasily
like a dog looking for a place to sleep in,
listen to it growling.
Think how they must look now, the mangrove keys
lying out there unresponsive to the lightning
in dark, coarse-fibred families,
where occasionally a heron may undo his head,
shake up his feathers, make an uncertain comment
when the surrounding water shines.
Think of the boulevard and the little palm trees
all stuck in rows, suddenly revealed
as fistfuls of limp fish-skeletons.
XI
1
_______________
Having once taken the plunge the situation that preceded it becomes obsolete which a moment before was alive with malignant rigidities.
2
________________
All night the sound had
come back again,
and again falls
this quiet, persistent rain.
What am I to myself
that must be remembered,
insisted upon
so often? Is it
that never the ease,
even the hardness,
of rain falling
will have for me
something other than this,
something not so insistent —
am I to be locked in this
final uneasiness.
Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out
The wind is fitful now:
soot piles in the corners
of new buildings,
gulls stumble out of place
in ragged branches
to skim against a rise
of pond water.
The children watch, breathless
with the birds.
They feel an emanation
from this shuddering place.
They’ re waiting to be murdered,
Or evicted. Soon
They expect to have nothing to eat.
In the meantime, they sit.
A violent pain is coming, they think.
It will start in the heart
And climb into the mouth.
They’ ll be carried off in stretchers, howling.
Tonight they watch the window
Without exchanging a word.
It has rained, and now it looks
Like it’ s going to snow a little.
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens
Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky;
The dew shall weep thy fall to-night,
For thou must die.
Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.
