In the cannery the porpoise soul
& the shadow fins of spirit boats lie awake
the hundred hooks & flying reels
one harpoon
& the silver fleshing in the nets
the mayor is waiting/counting scales
dreaming new quotas & tuna coasts
(under the table blood & payrolls
swim to the shores on a crucifix of oil)
in the cannery the porpoise soul
steals a dagger for the engines throat
tuna fins etch an X
on the green stone of the ships floor
I do not understand why men make war.
Is it because artillery is the most stoic example
of what flesh can become?
Is it because the military plan is the final map
drawn by the wisest hunter?
Is it because the neutron ray is the invincible finger
no one will disobey?
or
Is it because the flood of blood is the proper penance
workers must pay for failing tribute at the prescribed
hour?
I do not understand why men make war.
Let us gather in a flourishing way
with sunluz grains abriendo los cantos
que cargamos cada día
en el young pasto nuestro cuerpo
para regalar y dar feliz perlas pearls
of corn flowing árboles de vida en las cuatro esquinas
let us gather in a flourishing way
contentos llenos de fuerza to vida
giving nacimientos to fragrant ríos
dulces frescos verdes turquoise strong
carne de nuestros hijos rainbows
let us gather in a flourishing way
c.1951-2
My chalk is no longer than a chip of fingernail,
Chip by which I must explain this Monday
Night the verbs “to get;” “to wear,” “to cut.”
I’ m not given much, these tired students,
Knuckle-wrapped from work as roofers,
Sour from scrubbing toilets and pedestal sinks.
I’ m given this room with five windows,
A coffee machine, a piano with busted strings,
The music of how we feel as the sun falls,
Exhausted from keeping up.
I stand at
slicing this frozen sky know
where they are going —
and want to get there.
Their call, both strange
and familiar, calls
to the strange and familiar
heart, and the landscape
becomes the landscape
of being, which becomes
the bright silos and snowy
fields over which the nuanced
and muscular geese
are calling — while time
and the heart take measure.
there was a remember when the mama was my girl
the mama was in my girl biding to turn
my girl turn mama when what I got turn to girl in her
my girl in my girl make my girl mama
they both mine
all three
I remember a when when I only dreamed dreams
but my dreams are remembers now
they a when
my mouth a cunt in reverse and my guts, nuts.
I nose the dark nursery, belly for my dick spurting ink at shit.
Fire. Arrow.
Water. Shadow.
you know no kid’ s name a word, but some shit-to-do.
no kid ain’ t shit but a map to its folk
traced by its folk to where they buried their folk.
took that shit that made me to make me make myself myself,
rolled in on papa’ s red nuts like they a fucking chariot.
•
these days my guts stay aching. my head an empty crib.
pigs prey to piggishnesses. get ate from the rooter to the tooter.
I’ m a hog for you baby, I can’ t get enough go the wolfish crooner.
the gust buffeted porker roll in the hay or laid down
in twig rapine. let me in, let me in.
Sound of the rain so I know
there’ s constraint
sound of the train
so I know commerce
has not come to a standstill
now they raise the barrier
now they set it back in place
What coats the bottom
of the surface of the sound
when the swifts come in
when the clerks come home
who will bathe the children
who will bake the bread
when the luff is tight
when the mainsheet
starts the boat underway
whatever you do don’ t
let the tongue slip
from its moorings
