That sea we see of surfaces
Turned upside down would be another world:
A bone shop, soaked in pearl, a dumping-
Ground for rarities, the sea-maws pumping
Grecian garbage Roman cities hurled
Seaward westward toward our faces.
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
Sit on the bed; I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me,—brutes.
My fingers fidget like ten idle brats.
I tried to peg out soldierly,—no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals?—Discs to make eyes close.
My glorious ribbons?—Ripped from my own back
In scarlet shreds. (That's for your poetry book.)
What do you mean by rashes of ash? Is industry
systematic work, assiduous activity, or ownership
of factories? Is ripple agitate lightly? Are
we tossed in tune when we write poems? And
what or who emboss with gloss insignias of air?
Is the Fabric about which you write in the epigraph
of your poem an edifice, a symbol of heaven?
My daughter made drawings with the pens you sent,
line drawings that suggest the things they represent,
different from any drawings she — at ten — had done,
closer to real art, implying what the mind fills in.
For her mother she made a flower fragile on its stem;
for me, a lion, calm, contained, but not a handsome one.
She drew a lion for me once before, on a get-well card,
and wrote I must be brave even when it’ s hard.
All day my husband pounds on the upstairs porch.
Screeches and grunts of wood as the wall is opened
keep the whole house tormented. He is trying to reach
the bees, he is after bees. This is the climax, an end
to two summers of small operations with sprays and ladders.
Last June on the porch floor I found them dead,
a sprinkle of dusty bugs, and next day a still worse
death, until, like falling in love, bee-haunted,
I swept up bigger and bigger loads of some hatch,
I thought, sickened, and sickening me, from what origin?
The old wooden steps to the front door
where I was sitting that fall morning
when you came downstairs, just awake,
and my joy at sight of you (emerging
into golden day —
the dew almost frost)
pulled me to my feet to tell you
how much I loved you:
My lady
fair with
soft
arms, what
can I say to
you — words, words
as if all
worlds were there.
A Tongue—to tell Him I am true!
Its fee—to be of Gold—
Had Nature—in Her monstrous House
A single Ragged Child—
To earn a Mine—would run
That Interdicted Way,
And tell Him—Charge thee speak it plain—
That so far—Truth is True?
And answer What I do—
Beginning with the Day
That Night—begun—
Nay—Midnight—'twas—
Since Midnight—happened—say—
If once more—Pardon—Boy—
The Magnitude thou may
Enlarge my Message—If too vast
Another Lad—help thee—
