As we sat at the feet of the string quartet,
in their living room, on a winter night,
through the hardwood floor spurts and gulps
and tips and shudders came up, and the candle-scent
air was thick-alive with pearwood,
ebony, spruce, poplar, and horse
howled, and cat skreeled, and then,
Soldiers never do die well;
Crosses mark the places —
Wooden crosses where they fell,
Stuck above their faces.
Soldiers pitch and cough and twitch —
All the world roars red and black;
Soldiers smother in a ditch,
Choking through the whole attack.
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, “No;
It’ s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
We make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.
For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.
We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!
For we have thought the longer thoughts
And gone the shorter way.
And we have danced to devils’ tunes,
Shivering home to pray;
To serve one master in the night,
Another in the day.
Calm as that second summer which precedes
The first fall of the snow,
In the broad sunlight of heroic deeds,
The City bides the foe.
As yet, behind their ramparts stern and proud,
Her bolted thunders sleep —
Dark Sumter, like a battlemented cloud,
Looms o’ er the solemn deep.
The stage is set for imminent disaster.
Here is the little tramp, standing
On a stack of books in order
To reach the microphone, the
Poet he’ s impersonating somehow
Trussed and mumbling in a
Tweed bundle at his feet.
With only his dim lantern
To tell him where he is
And every time a mountain
Of fresh corpses to load up
Take them to the other side
Where there are plenty more
I’ d say by now he must be confused
As to which side is which
I’ d say it doesn’ t matter
No one complains he’ s got
Their pockets to go through
In one a crust of bread in another a sausage
An old man in a lodge within a park;
The chamber walls depicted all around
With portraitures of huntsman, hawk, and hound,
And the hurt deer. He listeneth to the lark,
Whose song comes with the sunshine through the dark
Of painted glass in leaden lattice bound;
He listeneth and he laugheth at the sound,
Then writeth in a book like any clerk.
For some people the day comes
when they have to declare the great Yes
or the great No. It’ s clear at once who has the Yes
ready within him; and saying it,
he goes from honor to honor, strong in his conviction.
He who refuses does not repent. Asked again,
he’ d still say no. Yet that no — the right no —
drags him down all his life.
