In her hand the knife, brisk, brilliant as moon-claw,
shaves the flesh. It grazes the white
belly just over the heart.
Underneath, the coiled fingers
are cradling a soft flesh
as if it were the jowls of the aged
man propped for a while on the bench in the park.
The head is not severed, the eyes not out.
Blue, they appear to flash odd ways
where a tree makes a live shadow.
Mostly the eyes are dead.
Nothing is in them
Clear night, thumb-top of a moon, a back-lit sky.
Moon-fingers lay down their same routine
On the side deck and the threshold, the white keys and the black keys.
Bird hush and bird song. A cassia flower falls.
I want to be bruised by God.
I want to be strung up in a strong light and singled out.
I want to be stretched, like music wrung from a dropped seed.
I want to be entered and picked clean.
The clairvoyante, a major general’ s wife,
The secretaries’ sibyl, read the letters
They brought her from their GI soldier-lovers,
Interpreting the script. I went along
One afternoon with writing of my own.
“This writing is by one you cannot trust,”
She frowned, and all the secretaries smiled.
But when she took my palm, she read the brown
Fingers for too much smoking and the lines
Of time and fate for a long and famous life.
“Soon you will take a trip by land and sea.”
Across the hall, her husband, half asleep
She taught me what her uncle once taught her:
How easily the biggest coal block split
If you got the grain and hammer angled right.
The sound of that relaxed alluring blow,
Its co-opted and obliterated echo,
Taught me to hit, taught me to loosen,
Taught me between the hammer and the block
To face the music. Teach me now to listen,
To strike it rich behind the linear black.
I don’ t have any sentiments
would somebodything thirst my quench
how about
about my mediocrity of character? I dance
with the dead divinely
in my dreams
I’ m stricken deaf when I mention it my babies
cry they want everything quick! here. un-
mentioned
as character should be
like the purpurine it needs must be carved in,
In the warm air of the ceiling the footlights of dreams are illuminated.
The white walls have curved. The burdened chest breathes confused words. In the mirror, the wind from the south spins,
carrying leaves and feathers. The window is blocked. The heart is
almost extinguished among the already cold ashes of the moon — the hands are without shelter — as all the trees lying down. In the wind from the desert the needles bend and my hour is past.
Walking back to the office after lunch,
I saw Hans. “Mister Isham, Mister Isham,”
He called out in his hurry, “Herr Wegner needs you.
A woman waiting for a border pass
Took poison, she is dead, and the police
Are there to take the body.” In the hall,
The secretaries stood outside their doors
Silently waiting with Wegner. “Sir,” he said,
“It was her answer on the questionnaire,
A clerk for the Gestapo. So it was.”
Within the outer office, by the row
Of wooden chairs, one lying on its side,
On a brain-gray day,
he lay on the hill-slanted solar
array with a southern exposure,
toes in the clover
mixed in with what are these
pentagrammatic sprays
of pinnate leaves.
No clover
here has four leaves:
to each one he says
I have seen you before
in the nuclear hazard
Cobbler, cobbler mend my shoe,
Get it done by half-past two,
Stitch it up and stitch it down,
Then I'll walk around the town.
Cobbler, cobbler mend my boot,
Mend it well to fit my foot,
Stitch it up and stitch it down,
Then I'll walk around the town.
Cobbler, cobbler buckle my shoe,
Get it done by half-past two,
Stitch it up and stitch it down,
Then I'll walk around the town.
