If only God would save me,
I would know how to hurt you.

If only God would save me,
I would know who to sell my soul to.

Anything is an autobiography,
but this is a conversation —

William Burroughs insisted
literature lagged 50 years behind painting,

thinking no doubt about abstraction, collage,
fragmentation, his cut-ups.

But whatever that meant (why always 50 years?), or however
he presumed to rile other writers,

poetry probably does lag behind any credible media theory about it —

Batter my heart, three-person'd God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o'erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurp'd town to another due,
Labor to admit you, but oh, to no end;
Reason, your viceroy in me, me should defend,
But is captiv'd, and proves weak or untrue.
Yet dearly I love you, and would be lov'd fain,
But am betroth'd unto your enemy;
Divorce me, untie or break that knot again,

I am a little world made cunningly
Of elements and an angelic sprite,
But black sin hath betray'd to endless night
My world's both parts, and oh both parts must die.
You which beyond that heaven which was most high
Have found new spheres, and of new lands can write,
Pour new seas in mine eyes, that so I might
Drown my world with my weeping earnestly,
Or wash it, if it must be drown'd no more.
But oh it must be burnt; alas the fire
Of lust and envy have burnt it heretofore,
And made it fouler; let their flames retire,

This is my play's last scene; here heavens appoint
My pilgrimage's last mile; and my race,
Idly, yet quickly run, hath this last pace,
My span's last inch, my minute's latest point;
And gluttonous death will instantly unjoint
My body and my soul, and I shall sleep a space;
But my'ever-waking part shall see that face
Whose fear already shakes my every joint.
Then, as my soul to'heaven, her first seat, takes flight,
And earth-born body in the earth shall dwell,
So fall my sins, that all may have their right,