IN the choir the boys are singing the hymn.
The morning light on their lips
Moves in silver-moist flashes, in musical trim.
Sudden outside the high window, one crow
Hangs in the air
And lights on a withered oak-tree's top of woe.
One bird, one blot, folded and still at the top
Of the withered tree!--in the grail
Of crystal heaven falls one full black drop.
Like a soft full drop of darkness it seems to sway
In the tender wine
Of our Sabbath, suffusing our sacred day.
i.
I grew up an anxious painting by my dad’ s shaking hand.
In the painting of my dad, a quiet hole beats
through the dull, black night. I’ m heir to an orange heart
in the rhythmic black where a man leans quietly
and wonders. I wonder about my dad, a hole
in my painting. I used to think my dad was dull,
but his shaking hand gave rhythm to my body.
In my dad’ s painting, a hole glows orange in the dull night
where I sit beneath the canvas looking up.
My dad looks down and laughs.
In every life there’ s a moment or two
when the self disappears, the cruel wound
takes over, and then again
at times we are filled with sky
or with birds or
simply with the sugary tea on the table
said the old woman
I know what you mean said the tulip
about epiphanies
for instance a cloudless April sky
the approach of a butterfly
but as to the disappearing self
no
I have not yet experienced that
You don’ t get everything back.
Is today morning or night? The radio voice says
the composer is changing the place home is.
When they try to put a tube down her throat,
the woman beside me sobs. Nurses probe
a vein as she thrashes, call the Hmong translator.
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
The unit of wine is the cup. Of Love, the unit is the kiss. That’ s here.
In Hell, the units are the gallon and the fuck. In Paradise, the drop and the glance.
Ants are my hero. They debate and obey. They can sit at a table for
Eight hours, drawing. They spot out the under-theorized...
Have some. For they are as abundant here as the flecks of mica in the Iowa night sky.
What are twenty-sided dishes of fancy almonds? What use jewels?
In a culvert by the airport
under crumbling slag
wine colored water seeps
to this pool the two does
drink from: each sipping as
the other keeps look out.
The skyline is a blur
of barcode and microchip.
Even at home we hold
the narrowest purchase.
No arcs of tracer fire.
No caravans of fleeing
families. Only this
suspicion ripples
through our circles of lamp glow
(as you sweep the faint sweat
from your forehead and flip
another page in your novel)
Today is Sunday.
I fear the crowd of my fellows with such faces of stone.
From my glass tower filled with headaches and impatient Ancestors,
I contemplate the roofs and hilltops in the mist.
In the stillness — somber, naked chimneys.
Below them my dead are asleep and my dreams turn to ashes.
All my dreams, blood running freely down the streets
And mixing with blood from the butcher shops.
From this observatory like the outskirts of town
I contemplate my dreams lost along the streets,
So in Pieria, from the wedded bliss
Of Time and Memory, the Muses came
To be the means of rich oblivion,
And rest from cares. And when the Thunderer
Took heaven, then the Titans warred on him
For pity of mankind. But the great law,
Which is the law of music, not of bread,
Set Atlas for a pillar, manacled
His brother to the rocks of the Scythia,
And under Aetna fixed the furious Typhon.
So should thought rule, not force. And Amphion,
Pursuing justice, entered Thebes and slew
The light of evening, Lissadell,
Great windows open to the south,
Two girls in silk kimonos, both
Beautiful, one a gazelle.
But a raving autumn shears
Blossom from the summer's wreath;
The older is condemned to death,
Pardoned, drags out lonely years
Conspiring among the ignorant.
I know not what the younger dreams –
Some vague Utopia – and she seems,
When withered old and skeleton-gaunt,
An image of such politics.
Many a time I think to seek
One or the other out and speak
