Requiem for the Plantagenet Kings
For whom the possessed sea littered, on both shores,
Ruinous arms; being fired, and for good,
To sound the constitution of just wars,
Men, in their eloquent fashion, understood.
For whom the possessed sea littered, on both shores,
Ruinous arms; being fired, and for good,
To sound the constitution of just wars,
Men, in their eloquent fashion, understood.
Whereas the porch screen sags from
the weight of flowers (impatiens) that grew
against it, then piles of wet leaves,
then drifted snow; and
Whereas, now rolled like absence in its
drooping length, a dim gold wave,
sundown’ s last, cast across a sea of clouds
and the floating year, almost reaches
the legs of the low-slung chair; and
Whereas between bent trees flies
and bees twirl above apples
and peaches fallen on blue gravel; and
The strident high
civic trumpeting
of misrule. It is
what we stand for.
Wild insolence,
aggregates without
distinction. Courage
of common men:
spent in the ruck
their remnant witness
after centuries
is granted them
Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren’ t lawful;
Nooses give;
Gas smells awful;
You might as well live.
In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,
Today in Rome, heading down
Michelangelo’s Spanish Steps,
under an unchanging moon,
I held on to the balustrade,
grateful for his giving me a hand.
All for love, I stumbled over the past
as if it were my own feet. Here, in my twenties,
I was lost in love and poetry. Along the Tiber,
I made up Cubist Shakespearean games.
(In writing, even in those days,
This is my past where no one knows me.
These are my friends whom I can’ t name —
Here in a field where no one chose me,
The faces older, the voices the same.
Why does this stranger rise to greet me?
What is the joke that makes him smile,
As he calls the children together to meet me,
Bringing them forward in single file?
I nod pretending to recognize them,
Not knowing exactly what I should say.
Why does my presence seem to surprise them?
Who is the woman who turns away?
On the phonograph, the voice
of a woman already dead for three
decades, singing of a man
who could make her do anything.
On the table, two fragile
glasses of black wine,
a bottle wrapped in its towel.
It is that room, the one
we took in every city, it is
as I remember: the bed, a block
of moonlight and pillows.
My fingernails, pecks of light
Cutlery clatters into the sink.
But always the characters, uniquely themselves,
only some decades older. They search
for their coats. You were, she reminds him,
our resident nomad, come to pitch your tent
here, sidewalks for sand, unaccustomed taboos:
Morningside Heights, one of your lives.
Thirty years
since the awkward goodbye? Before he goes —
I came awake in kindergarten,
under the letter K chalked neat
on a field-green placard leaned
on the blackboard's top edge. They'd cagedme
in a metal desk — the dull word writ
to show K's sound. But K meant kick and kill