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Rhapsody on a Windy Night

Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.

Rice pudding

What is the matter with Mary Jane?
She’s crying with all her might and main,
And she won’t eat her dinner — rice pudding again —
What is the matter with Mary Jane?

What is the matter with Mary Jane?
I’ve promised her dolls and a daisy-chain,
And a book about animals — all in vain —
What is the matter with Mary Jane?

What is the matter with Mary Jane?
She’s perfectly well, and she hasn’t a pain;
But, look at her, now she’s beginning again!
What is the matter with Mary Jane?

Ride a cock horse to Banbury Cross

Ride a cock horse to Banbury Cross,
To see a fine lady on a white horse,
With rings on her fingers and bells on her toes,
She shall have music wherever she goes.

Jingle! Jangle! Jingle!
Jingle! Jangle! Jingle!

Ride a cock horse to Banbury Cross,
To see a fine lady on a white horse,
With rings on her fingers and bells on her toes,
She shall have music wherever she goes.

Ring Out Your Bells

Ring out your bells, let mourning shows be spread;
For Love is dead—
All love is dead, infected
With plague of deep disdain;
Worth, as nought worth, rejected,
And Faith fair scorn doth gain.
From so ungrateful fancy,
From such a female franzy,
From them that use men thus,
Good Lord, deliver us!

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