The Day
It hangs on its
stem like a plum
at the edge of a
darkening thicket.
It’ s swelling and
blushing and ripe
and I reach out a
hand to pick it
It hangs on its
stem like a plum
at the edge of a
darkening thicket.
It’ s swelling and
blushing and ripe
and I reach out a
hand to pick it
The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’ t know the people who will feed me
When the fierce north wind with his airy forces
Rears up the Baltic to a foaming fury,
And the red lightning with a storm of hail comes
Rushing amain down,
How the poor sailors stand amazed and tremble,
While the hoarse thunder, like a bloody trumpet,
Roars a loud onset to the gaping waters,
Quick to devour them!
O the days gone by! O the days gone by!
The apples in the orchard, and the pathway through the rye;
The chirrup of the robin, and the whistle of the quail
As he piped across the meadows sweet as any nightingale;
When the bloom was on the clover, and the blue was in the sky,
And my happy heart brimmed over in the days gone by.
Our business is with fruit and leaf and bloom;
though they speak with more than just the season's tongue —
the colours that they blaze from the dark loam
all have something of the jealous tang
of the dead about them. What do we know of their part
in this, those secret brothers of the harrow,
invigorators of the soil — oiling the dirt
so liberally with their essence, their black marrow?
But here's the question. Are the flower and fruit
held out to us in love, or merely thrust
up at us, their masters, like a fist?
I
They throw in Drummer Hodge, to rest
Uncoffined—just as found:
His landmark is a kopje-crest
That breaks the veldt around;
And foreign constellations west
Each night above his mound.
II
It is the great arguments
we are proud of, over a nibbled peach,
hair in the comb, a faulty lube job;
the reconciliations were always naked
in borrowed rooms, sometimes in Queens
or Staten Island, we touched each other
shyly — we reminded each other
of loneliness and funk and beautiful pigeons
with oil-slick necks, cooing bitterly —
but there we lost each other
in forgiveness; keeping score,
being wounded even in triumph,
walking home down leafy avenues
etched with the faint double line
A car’ s backfire
rifles the ear
with skeleton clatter,
the crowd’ s walla walla
draws near, caterwaul
evaporating in thin air.
Silence is dead.
(Long live silence.)
Let’ s observe a moment
of it, call it what it’ s not:
splatter of rain
that can’ t soothe
the window’ s pane,
dog barking
up the wrong tree.
Which tree, which air
apparent is there to hear
a word at its worth?
Hammer that drums
its water-logged warning
against the side
of the submarine:
Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’ s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.