I wake up cold, I who
Prospered through dreams of heat
Wake to their residue,
Sweat, and a clinging sheet.
My flesh was its own shield:
Where it was gashed, it healed.
I grew as I explored
The body I could trust
Even while I adored
The risk that made robust,
A world of wonders in
Each challenge to the skin.
Here, above,
cracks in the buildings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to record in thermometers.
Another dead mare waits
in the shoals of some body
of water, waits to be burden,
borne into a foaming ocean,
where it might become food
for whales, or, simply empty
signifier — hair latched to the sea’ s undulation
like Absalom’ s beauty
caught in the playful branches
One and one make two,
the literalist said.
So far they've made five billion,
said the lateralist, or ten
times that, if you count the dead.
On the platter set out in the center of the Matyó-embroidered tablecloth
was the syringe. And around it was silence. My father
gazed at my mother, and she back at him. Slowly,
faltering, he began to speak. I was seized by
an unusual shuddering. I recall that he used the word fate,
and that if I consented to the injected dose,
we could all fall asleep. We would stay together
for all time. And evade the uncertainty in mortifying
desperation. A fifteen-year-old’ s desire to live
cried out in me: “No!” To which
The Mayor of Scuttleton burned his nose
Trying to warm his copper toes;
He lost his money and spoiled his will
By signing his name with an icicle-quill;
He went bare-headed, and held his breath,
And frightened his grandame most to death;
He loaded a shovel, and tried to shoot,
And killed the calf in the leg of his boot;
He melted a snow-bird, and formed the habit
Of dancing jigs with a sad Welsh rabbit;
He lived on taffy, and taxed the town;
And read his newspaper upside down;
Across the road from where we nap
under a dead elm dazzles the meadow
where the partisans strung the traitors up,
the meadow which their dangling shadows stain.
Belly up in vines a blasted tank
rusts flake by flake to lichened scrap iron
while horseflies harangue
the rippling green, July
a limbo of quavering yellow...
We wake to cattle lowing at dawn,
grass overgrowing summer — so like us
in love each hour with the noonday sun
I continue in my gbariye.
All things along my path are clean and white.
I have set out on a flute’ s quiet wave
in search of my dark love.
Divination and division mark my road;
yet, if I turn from left to right,
I walk the same straight path.
I carry the wine of salt water in my bag
to the crossroads of honey and milk.
I am puffed up and charged with the thought
of my own separation. From light to light,
I continue while the light lasts.
The light rests on my walking pole.
I continue.
We spend our morning
in the flower stalls counting
the dark tongues of bells
that hang from ropes waiting
for the silence of an hour.
We find a table, ask for paella,
cold soup and wine, where a calm
light trembles years behind us.
In Buenos Aires only three
years ago, it was the last time his hand
slipped into her dress, with pearls
cooling her throat and bells like
these, chipping at the night —
I'm Ramón González Barbagelata from anywhere,
from Cucuy, from Paraná, from Rio Turbio, from Oruro,
from Maracaibo, from Parral, from Ovalle, from Loconmilla,
I'm the poor devil from the poor Third World,
I'm the third-class passenger installed, good God!
in the lavish whiteness of snow-covered mountains,
