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Where I’ll Be Good

Wanting leads to worse than oddity.
The bones creak like bamboo in wind,
and strain toward a better life outside the body,
the life anything has that isn’ t human.

Feel the chair under you? What does it want?
Does lust bend it silly, like a rubber crutch?
Tell a tree about the silky clasp of cunt.
It won’ t shift an inch. It won’ t ache to touch.

Whispers of Immortality

Webster was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.

Daffodil bulbs instead of balls
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.

Donne, I suppose, was such another
Who found no substitute for sense,
To seize and clutch and penetrate;
Expert beyond experience,

White Water

Yes, the heart aches, but you know or think you know it could be
indigestion after all, the stomach uttering its after-lunch cantata
for clarinet and strings, while blank panic can be just a two-o'clock
shot of the fantods, before the afternoon comes on in toe-shoes
and black leotard, her back a pale gleaming board-game where all
is not lost though the hour is late and you've got light pockets.

Who

It was the blind girl from the rez who
stole the baker’ s missing bread;
it was the guitar playing fool who crooned
and raced the wild mustangs through our heads.
It was the village idiot who played
his chess without the fool, the bowl
of soup who said too late, too late, too late
to blame the thread, the spoon, the text, the mole.

Beside the waterfall of fallen things
just east of town, it was the bearded man
attaching fallen things to angel’ s wings
while singing legends to the long, long grass.

Who Burns for the Perfection of Paper

At sixteen, I worked after high school hours
at a printing plant
that manufactured legal pads:
Yellow paper
stacked seven feet high
and leaning
as I slipped cardboard
between the pages,
then brushed red glue
up and down the stack.
No gloves: fingertips required
for the perfection of paper,
smoothing the exact rectangle.
Sluggish by 9 PM, the hands
would slide along suddenly sharp paper,
and gather slits thinner than the crevices
of the skin, hidden.
Then the glue would sting,

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