Stumps. Railroad tracks. Early sicknesses,
the blue one, especially.
Your first love rounding a corner,
that snowy minefield.

Whether you step lightly or heavily,
you have to get over to that tree line a hundred yards in the distance
before evening falls,
letting no one see you wend your way,

that wonderful, old-fashioned word, wend,
meaning “to proceed, to journey,
to travel from one place to another,”
as from bed to breakfast, breakfast to imbecile work.

He will not light long enough
for the interpreter to gather
the tatters of his speech.
But the longer we listen
the calmer he becomes.
He shows me the place where his daughter
has rubbed with a coin, violaceous streaks
raising a skeletal pattern on his chest.
He thinks he’ s been hit by the wind.
He’ s worried it will become pneumonia.
In Cambodia, he’ d be given
a special tea, a prescriptive sacrifice,
the right chants to say. But I
know nothing of Chi, of Karma,

When Goldilocks went to the house of the bears,
Oh what did her two eyes see?
A bowl that was huge,
A bowl that was small,
A bowl that was tiny and that was all,
She counted them: one, two, three.

When Goldilocks went to the house of the bears,
Oh what did her two eyes see?
A chair that was huge,
A chair that was small,
A chair that was tiny and that was all,
She counted them: one, two, three.

When I have fears that I may cease to be
Before my pen has gleaned my teeming brain,
Before high-pilèd books, in charactery,
Hold like rich garners the full ripened grain;
When I behold, upon the night’ s starred face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows with the magic hand of chance;
And when I feel, fair creature of an hour,