If an orchidophage’ s tastebud magnified
resembles an orchid
so my buds indubitably mimic pricking ice cream cones.
Love, little by little it dawned on us the artisanal
ice cream, especially the prizewinning caramel,
would be out of our reach,
like the previous Friday of a Sunday leaving the beach,
in the meltdown.
No one can tell me,
Nobody knows,
Where the wind comes from,
Where the wind goes.
It’s flying from somewhere
As fast as it can,
I couldn’t keep up with it,
Not if I ran.
But if I stopped holding
The string of my kite,
It would blow with the wind
For a day and a night.
And then when I found it,
Wherever it blew,
I should know that the wind
Had been going there too.
So then I could tell them
Where the wind goes...
But where the wind comes from
Nobody knows.
She goes out to hang the windchime
in her nightie and her work boots.
It’ s six-thirty in the morning
and she’ s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,
windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’ s trying to figure out
how to switch #1 with #3.
From this height
the sunset spans the whole world
before me: houses and trees are shadows
neon flares between them like sudden fire
the freeways run, always
strangely vacant with riderless cars
empty air
the windows up here
refract the blue slate and rose light
making the hills on the horizon collide
with ideas of Sussex, piedmont
or the cold clear wind of the Abruzzi
but that is never what is out there.
Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
The flowers I planted along my road
Have lasted long despite winds and cold
Already fiery noons begin to burn
Slyly the secret of the roots
And I know that of my footsteps nothing will remain
But a trace a cluster a drop
To recall along the paths I’ ve chosen
Those evening when the light sang
In eyes hands hearts and goblets.
A sentence with “dappled shadow” in it.
Something not sayable
spurting from the morning silence,
secret as a thrush.
The other man, the officer, who brought onions
and wine and sacks of flour,
the major with the swollen knee,
wanted intelligent conversation afterward.
Having no choice, she provided that, too.
Potsdamerplatz, May 1945.
Couched on crimson cushions,
pink bleeds gold
and red spills into one’ s heart.
Broad leather keeps time,
calibrating different hours
in different zones
unaware of the grammar
that makes sense.
Only random woofs and snores
of two distant dogs
on a very cold night
clears fog that is unresolved.
New plants wait for new heat —
to grow, to mature.
An old cane recliner contains
poetry for peace — woven
text keeping comfort in place.
But it is the impatience of want
Now comes the graybeard of the north:
The forests bare their rugged breasts
To every wind that wanders forth,
And, in their arms, the lonely nests
That housed the birdlings months ago
Are egged with flakes of drifted snow.
Dark frost was in the air without,
The dusk was still with cold and gloom,
When less than even a shadow came
And stood within the room.
But of the three around the fire,
None turned a questioning head to look,
Still read a clear voice, on and on,
Still stooped they o’ er their book.
