Sunny Prestatyn
Come To Sunny Prestatyn
Laughed the girl on the poster,
Kneeling up on the sand
In tautened white satin.
Behind her, a hunk of coast, a
Hotel with palms
Seemed to expand from her thighs and
Spread breast-lifting arms.
Come To Sunny Prestatyn
Laughed the girl on the poster,
Kneeling up on the sand
In tautened white satin.
Behind her, a hunk of coast, a
Hotel with palms
Seemed to expand from her thighs and
Spread breast-lifting arms.
The lions who ate the Christians on the sands of the arena
By indulging native appetites played what has now been seen a
Not entirely negligible part
In consolidating at the very start
The position of the Early Christian Church.
Initiatory rites are always bloody
And the lions, it appears
From contemporary art, made a study
Of dyeing Coliseum sands a ruddy
Liturgically sacrificial hue
And if the Christians felt a little blue —
Well people being eaten often do.
There is a drear and lonely tract of hell
From all the common gloom removed afar:
A flat, sad land it is, where shadows are,
Whose lorn estate my verse may never tell.
I walked among them and I knew them well:
Men I had slandered on life's little star
For churls and sluggards; and I knew the scar
Upon their brows of woe ineffable.
Surfaces serve
their own purposes,
strive to remain
constant (all lives
want that). There is
a skin, not just on
peaches but on oceans
(note the telltale
slough of foam on beaches).
Sometimes it’ s loose,
as in the case
of cats: you feel how a
second life slides
under it. Sometimes it
fits. Take glass.
Sometimes it outlasts
its underside. Take reefs.
Sweet sweet sweet sweet sweet tea.
Susie Asado.
Sweet sweet sweet sweet sweet tea.
Susie Asado.
Susie Asado which is a told tray sure.
A lean on the shoe this means slips slips hers.
When the ancient light grey is clean it is yellow, it is a silver seller.
This is a please this is a please there are the saids to jelly. These are the wets these say the sets to leave a crown to Incy.
Incy is short for incubus.
I tracked it through the one mind of the woods.
Its hoofprints pressed in snow were smallish hearts.
Buck fawn: he let me come so near, take aim.
Crouched against a fir, I was anything.
Bush, stump, doe in estrus he could rut.
Not his maimer, though, not his final thought.
He stared me down until I shot him: low.
Then the forest forgot he’ d ever been.
Nascent, there were signs: bonechip, spoor, frail hair.
But no memory, wounded, wants to die.
He hid in the dark timber, twice crossed the creek.
The Emperor thought of his heart as a water wheel
flooding the rice fields of all creation
and bloodied the water for a better harvest.
His warriors hoped for a life with wings.
His swallowtails wrote him the same lines
— the secret of life is a resurrected worm —
He told them eventually time would run backwards
in their hands, now empty where a crossbow went.
they move in swift on the Swift
Plants in six states & sift
through the faces to separate
the dark from the light
like meat & seat them in
the back of vans packed tight
like the product they pack
& who's to pick up the slack
the black & white can't cut it
so the beef stacks sell single
to feed the pack the flock
who block passages & clog
Reader unmov’ d and Reader unshaken, Reader unseduc’ d
and unterrified, through the long-loud and the sweet-still
I creep toward you. Toward you, I thistle and I climb.
I crawl, Reader, servile and cervine, through this blank
season, counting — I sleep and I sleep. I sleep,
Reader, toward you, loud as a cloud and deaf, Reader, deaf
I got a letter from the government.
It said let there be night.
I went through your trash.
There was night, all right.
I consider how your light is spent.
I have butterflies a little bit.
I have some pills I take for it.
I’ ve been up since four the day before.
Agony’ s a cinch to sham.
Don’ t worry about the environment.
Let it kill us if it can.
I give a tiny tinker’ s damn.
I put the ox behind the cart.
Consume away my snow-blind heart.