to come away with Hesiod
and leave the rock as though to rocks
the tree to trees and dwell on other things
imagine the injunction
to leave the mint to its own devices
among the dust & stones in the shadow
of rocks or tree-roots hard as rocks
imagine poems left to their own devices
as poets gorge on air & airy thoughts
& figures – the thought sobers me
to the bone of a sobriety earned
at the expense of the airiness Hesiod
was commissioned to name
Turn, turn again,
Ape’ s blood in each vein!
The people that pass
Seem castles of glass,
The old and the good
Giraffes of the blue wood,
The soldier, the nurse,
Wooden-face and a curse,
Are shadowed with plumage
Like birds, by the gloomage.
Blond hair like a clown’ s
The music floats — drowns
The creaking of ropes,
The breaking of hopes,
The wheezing, the old,
Like harmoniums scold;
Go to Babylon, Rome,
The brain-cells called home,
The grave, new Jerusalem —
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
When I’ d reported to the couple, thus
That up there no one murders now for gain
Since no one owns a thing, the faithless spouse
Who’ d beguiled that woman so improperly
Lifted his hand, now tied to hers by chains
And looked at her and turned perplexed to me
So no one steals, if there’ s no property?
I shook my head. And as their hands just touched
I saw a blush suffuse the woman’ s cheeks.
Where does such tenderness come from?
These aren’ t the first curls
I’ ve wound around my finger —
I’ ve kissed lips darker than yours.
The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.
But I’ ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.
Womanhood, wanton, ye want:
Your meddling, mistress, is mannerless;
Plenty of ill, of goodness scant,
Ye rail at riot, reckless:
To praise your port it is needless;
For all your draff yet and your dregs,
As well borne as ye full oft time begs.
up a little,” he says,
shutting the rusted tailgate,
“maybe at least lean
down from your high horse
and look busy,” picking up
his work gloves and his spade.
“You’ re not the only
hick on the clock
with an education,” he says, half-
laughing, half-wheezing,
and spits, his bottom lip bulging
with a load of Skoal,“even
if you do think pretty highly
of your poetry.”
Ominous inscrutable Chinese news
to get just before Christmas,
considering my reasonable health,
marriage spicy as moo-goo-gai-pan,
career running like a not-too-old Chevrolet.
Not bad, considering what can go wrong:
the bony finger of Uncle Sam
might point out my husband,
my own national guard,
and set him in Afghanistan;
my boss could take a personal interest;
the pain in my left knee could spread to my right.
Still, as the old year tips into the new,
I insist on the infant hope, gooing and kicking
Zeh was a pharmacist,
or claimed to be,
times were tranquil, people didn’ t ask too many questions,
but when a new broom came along, it was duly “established that” etc.
and it all contributed to his downfall.
Zeh was an incomparable magician
shelves full of powders and tinctures
not that he had to sell them to you
you were persuaded of their efficacy
in advance.
