Let us tunnel
Through the rubble,

Through the thrum.
Let us rut through the sum

Of who we were,
Or are,

Or will be in the years to come:
A couple

Of someones
Who used to be in love.

Used to be in love.
Ho. Hum.

These days: Seem to be in hate.
Gypsum, marble, pyrite, slate.

See here. A pit of snakes.
Look there. The rock of your rages.

And I’ m in a cable-cage, slinking down your shaft.
You fondle that hefty What if...? as if

What length of verse can serve brave Mopsa’ s good to show,
Whose virtues strange, and beauties such, as no man them may know?
Thus shrewdly burden, then, how can my Muse escape?
The gods must help, and precious things must serve to show her shape.

Like great god Saturn, fair, and like fair Venus, chaste;
As smooth as Pan, as Juno mild, like goddess Iris fast.
With Cupid she foresees, and goes god Vulcan’ s pace;
And for a taste of all these gifts, she borrows Momus’ grace.

If the nose of the pig in the market of Firenze
has lost its matte patina, and shines, brassy,
even in the half light; if the mosaic saint
on the tiles of the Basilica floor is half gone,
worn by the gravity of solid soles, the passing
of piety; if the arms of Venus have reentered
the rubble, taken by time, her perennial lover,
mutilating even the memory of beauty;

Turn again, turn again,
Goose Clothilda, Goosie Jane.

Bright wooden waves of people creak
From houses built with coloured straws
Of heat; Dean Pasppus’ long nose snores
Harsh as a hautbois, marshy-weak.

The wooden waves of people creak
Through the fields all water-sleek.

And in among the straws of light
Those bumpkin hautbois-sounds take flight.

Whence he lies snoring like the moon
Clownish-white all afternoon.

Beneath the trees’ arsenical
Sharp woodwind tunes; heretical —