By freezing passion at its blossoming
perhaps Rodin knew he challenged
Sophocles who said as lover you want
ice to be ice yet not melt
in your hands. How stone,
implying permanence, might let us believe,
a moment, the seated figures are beyond the leaf
that cannot keep from letting go the branch,
beyond even stupidly purpling grapes
that do not understand the process
by which they darken; darken nevertheless.
They are skimming the lake with wooden hooks.
Where the oak throws its handful of shadows
Children are gathering fireflies.
I wait in the deep olive flux
As their cries ricochet out of the dark.
Lights spear the water. I hear the oak speak.
It foists its mouthful of sibilants
On a sky involved with a stillborn moon,
On the stock-still cottages. I lean
Into the dark. On tiny splints,
One trellised rose is folding back
Its shawls. The beacon strikes the lake.
When I feel the old hunger coming on,
I think of my two great-aunts,
A farmer’ s daughters,
Speaking into the dusk in North Dakota.
I imagine the dark baron
Riding out of their mouths,
Thick-skinned and girded
Against disaster, swathed
In cuirass and chainmail and a curse.
My hunger was theirs
Too long ago. It swims in my blood,
Groping for a foothold.
It is the dark I thrust my tongue against,
The wine and the delicate symphony
That makes my head tick so exquisitely
Tonight. My ladies,
I have seen the arrested
shrub inform the crag with grief.
Lichens crust the rocks with red.
Thorns punctuate the leaf.
Sorrow is not a desert
where one endures the other —
but footing lost and halting
step. And then another.
I wish we could control this revolting
want of control: these people
with their spongy eyes, their mouths
of trembling shoehorns, billhooks for penises
and bear traps for vulvas.
One taste of sunlight and at once
they can’ t do without it. Water,
the same, and food, and air,
and a dozen other squalid habits.
Some — like their copulation,
a rusting carnation in a cut-glass neck —
are not physically compulsive but
the partners can’ t stop wanting them to be:
so we desire to be raped
Your parents had reached a long slow time,
as animals do, the great center of their lives,
when they gleam in their fells as though eternally,
unchanging. Or as a day can seem eternal
if you lie and watch the full clouds, conscious
of your own time: you soon must get up and leave.
So father, mother, the small shabby town,
its patch of earth going on as though forever: you
forgot them there, where they’ d been since you started out
and where you could find them again — as anyone
forgets what he has to lean on
You couples lying
where moon-scythes and day-scythes reaped you,
browning fruit falls and sleeps
in tangled nests, the wild grass,
falls from your apple tree that still grows here:
cry for your dead hero, his weak sword, his flight,
that you were slaughtered and your bed poured whiteness,
the issue of murdered marriage dawns.
The streets crack, a house falls open to the air,
sun and rain lie on the bed.
And the river still runs in a child’ s hands
under the factory’ s black hulk,
Child
one with the sun
in trackless fields
of yellow grass and thistle, scent
of humid heavy air and the wing music
of bees and flies.
Child, slender
nakedness to itself unknown,
true colour of the light
dispersed invisibly
or glowing around the black hulls
of distant thunderheads, around
the grasshopper’ s countenance,
solemn, vigilant and wise.
He glanced around to check if the treacherous gods
had really given him the reward promised for his accomplished song
and there she was, Eurydice restored, perfectly naked and fleshed
in her rhyming body again, the upper and lower smiles and eyes,
the line of mouth-sternum-navel-cleft, the chime of breasts and hips
and of the two knees, the feet, the toes, and that expression
of an unimaginable intelligence that yoked all these with a skill
she herself had forgotten the learning of: there she was, with him
About the age of twenty, when the first hairfall
signals that nature is finished with the organism
and we just begin to conceive the use of women
(having been all this time
more enamored of the fountain than the cistern),
we retire to nursing homes,
whether they be kaleidoscopic gardens
aimed like a blunderbuss of hermeticism at our neighbors,
or a desperate dream safari through old Zambesi,
where the suicidal waves of angry natives
give the illusion that we are advancing rapidly,
