Arts & Sciences

The Truth is Concrete

November wind. The feeling of knowing
something before you said it, all over everything.
As in, shadow take me into the side of the mountain.
As in, open up the earth and get inside.
Leaving doesn't mean much. Arriving
means everything, how you came to be where you were,
even if later it will hurt to think of it.
And the forgotten, aren't they always
the most remembered elsewhere, before they perish,
when someone has their eye on them,
and later when the shrines are made
with local flowers and icons of heroes, roses

Gairmscoile

Aulder than mammoth or than mastodon
Deep i’ the herts o’ a’ men lurk scaut-heid
Skrymmorie monsters few daur look upon.
Brides sometimes catch their wild een, scansin’ reid,
Beekin’ abune the herts they thocht to lo’ e
And horror-stricken ken that i’ themselves
A like beast stan’ s, and lookin’ love thro’ and thro’

Things Chinese

Once, I tried to banish them all from my writing.
This was America, after all, where everyone’ s at liberty
To remake her person, her place, or her poetry,

And I lived in a town a long way from everything —
Where discussions of “diversity”
Centered mainly on sexuality.

My policy, born of exhaustion with talk about race
And the quintessentially American wish for antecedents,
Eliminated most of my family, starting with the grandparents,

The Vegetable Air

You’ re clean shaven in this country
where trees grow beards of moss,
where even bank tellers
look a little like banditos
in vests as pungent as sweatsuits.
Still, you prefer the vegetable air
to almost any other place on the map.
After the heart attack,
you considered Paris —
the flying buttresses,
the fractured light of its cathedrals;

ginen tidelands [latte stone park] [hagåtña, guåhan]

The fallen Latte is the sign. It is from within the row of Latte that
we feel our strength. It is the severed capstone that gives us Their
message, "Ti monhayon I che'cho." We will not rest until the
Latte is whole.

— Cecilia C. T. Perez from "Signs of Being: A Chamoru
Spiritual Journey" (1997)

~

i haligi
a pillar

i tasa
a capstone

i tataotao
a body

~

his hands —
husk coconut —

cooks and
feeds [us] —

stories — this
raised house —

at quarry
outline forms

Protest in Philippines

He is for a long time bleating the embassy collection:
(water-resistant cot,
a resurgent stretch of storefronts to dive into,
compadre, col legno, funding the new permits, pleasing
room, murderous rain.

Near-spring night, stars on flat blackboards, essay estate
questions passed person to person.
The lottery window
I turn red past,
hyacinth-lanced dawn.

In green tree talk
the transcriber dons a dark robe, a mirror.

II. Homunculus

The political contributions of whatever he creates are coincidental
and, in any event, irrelevant. The musician may not be relying on
mathematical acoustics in his calculations. He may be performing
for auditoriums; thus, his physical realities change as he travels. Music
seems inevitable. Every question entails some notion of what is being asked.
The motley nature is not alien. Certain sounds guide the vulgar mind
to notions not anticipated by those creating the sounds. A bartender

What Is Sacred

I have no idea what priests
dream of on Christmas Eve, what prayer

a crippled dog might whine before the shotgun.
I have no more sense of what is sacred

than a monk might have, sweeping the temple
floor, slow gestures of honor to the left,

the right. Maybe the leaf of grass tells us
what is worthwhile. Maybe it tells us nothing.

Perhaps a sacred moment is a photograph
you look at over and over again, the one

of you and her, hands lightly clasped like you
did before prayer became necessary, the one

Conversion Table

A stick of carrot is equal to a gillyflower.
A gillyflower is equal to a drum of gasoline.
A drum of gasoline is equal to a stick of carrot.
“For the sake of my offspring, I think I’ ll marry an outsider.”

Tamerlane has been sighted in Northern Italy.
Jesus has broken out in Inner Mongolia.
They like to kiss outside and piss inside.
We like to kiss inside and piss outside.

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