Class

Half the women are asleep on the floor
on pieces of cardboard.
One is face down under a blanket
with her feet and ankle bracelet showing.
Her spear leans against the wall by her head
where she can reach it.
The woman who sits on a chair won’ t speak
because this is not her dress.
An old woman sings an Italian song in English
and says she wants her name in lights:
Faye Runaway. Tells about her grown children.
One asks for any kind of medicine.
One says she has a rock that means honor
and a piece of fur.

Down in the shipyard, day and night,
The Galahads of the dock,
Hard as the sinews of basin rock,
Build an ocean cosmopolite.

The rivets stab and the hammers bite
Into the beams and plates of steel
Of the Diesel heart and the belly keel.

We,
The workers of the world strike catholic notes
On woods and irons, wring from brassy throats
Epics of industry.

my ole man took me to the fulton fish market
we walk around in the guts and the scales

my ole man show me a dead fish, eyes like throat spit
he say “you hongry boy?” i say “naw, not yet”

my ole man show me how to pick the leavings
he say people throw away fish that not rotten

we scaling on our knees back uptown on lenox
sold five fish, keepin one for the pot

my ole man copped a bottle of wine
he say, “boy, build me a fire out in the lot”

backyard cat climbin up my leg for fish
i make a fire in the ash can

I
Neon stripes tighten my wall
where my crayon landlord hangs
from a bent nail.

My black father sits crooked
in the kitchen
drunk on Jesus’ blood turned
to cheap wine.

In his tremor he curses
the landlord who grins
from inside the rent book.

My father’ s eyes are
bolls of cotton.

He sits upon the landlord’ s
operating table,
the needle of the nation
sucking his soul.

The crowded street his playground is, a patch of blue his sky;
A puddle in a vacant lot his sea where ships pass by:
Poor little orphan boy of five, the city smoke and grime
Taint every cooling breeze he gets throughout the summer time;
And he is just as your boy is, a child who loves to play,
Except that he is drawn and white and cannot get away.

God save America,
My home, sweet home!

We are not hostages, America,
and your soldiers are not God's soldiers...
We are the poor ones, ours is the earth of the drowned gods,
the gods of bulls,
the gods of fires,
the gods of sorrows that intertwine clay and blood in a song...
We are the poor, ours is the god of the poor,
who emerges out of farmers' ribs,
hungry
and bright,
and raises heads up high...

With refreshments and some modesty and home-drawn maps,
the ladies of the parish are marshaling the plans in hand,
devising the occasions, in softest pencil: the Day of Hearsay,
Leeway Week, the Maybe Pageant, a hustings on the word
nearby. Half-promised rain roosts in some clouds a mile out,
gradual weather making gradual notes on the green, the well,
the monument, the mayor's yard where dogs purr on elastic.

As we sipped and mingled,
regaled
with oldfangled
canapés and beguiled,
or entertained at least, by gargled
oldies, I disengaged
and angled
across grass tenderly groomed,
past where electric tiki torches gleamed,
and, alone, gazed,
now truly beguiled,
at my hosts’ grand
expensive vista, mortgaged,
yes, and, yes, remortgaged.
A low gold
moon glowed
against a plush black sky gauzed,
even filigreed,
with stars. Gowned
in old-growth oaks glazed

A narrow girl sells purses made of reed.
Dead rabbits hang by feet, their red eyes dull,
while chickens crammed in cages peck their seed.

A vessel in Juan’ s brain begins to bleed,
spreading into the fissures of his skull.
A narrow girl sells purses made of reed.

The madams in the district underfeed
hookers they line up for a spectacle
while chickens crammed in cages peck their seed.

A vendor buys his wares, then smokes some weed;
he seldom deems police an obstacle.
A narrow girl sells purses made of reed.

On the street
with our money
clutched
in our hands,
buying bread
and scattering breadcrumbs
for the bluish
doves.
Paying
to see
the fire eater,
the cigarette swallower
and the dead vagabond
who breathes.
Greeting
the palm tree
that sighs
at night.
Saying a few words
to the staring
stone figure
above the gate.
Laughing
and rushing
in
as if chased.
In the cool kitchen
we prepare
and arrange our food.