Death

The Funeral

Whoever comes to shroud me, do not harm
Nor question much
That subtle wreath of hair, which crowns my arm;
The mystery, the sign, you must not touch,
For 'tis my outward soul,
Viceroy to that, which then to heaven being gone,
Will leave this to control
And keep these limbs, her provinces, from dissolution.

The Relic

When my grave is broke up again
Some second guest to entertain,
(For graves have learn'd that woman head,
To be to more than one a bed)
And he that digs it, spies
A bracelet of bright hair about the bone,
Will he not let'us alone,
And think that there a loving couple lies,
Who thought that this device might be some way
To make their souls, at the last busy day,

Inside My Head

inside my head

Inside my head a common room,
a common place, a common tune,
a common wealth, a common doom

inside my head. I close my eyes.
The horses run. Vast are the skies,
and blue my passing thoughts’ surprise

inside my head. What is this space
here found to be, what is this place
if only me? Inside my head, whose face?

the tools

Lost in the Hospital

It’ s not that I don’ t like the hospital.
Those small bouquets of flowers, pert and brave.
The smell of antiseptic cleansers.
The ill, so wistful in their rooms, so true.
My friend, the one who’ s dying, took me out
To where the patients go to smoke, IV’ s
And oxygen in tanks attached to them —
A tiny patio for skeletons. We shared
A cigarette, which was delicious but
Too brief. I held his hand; it felt
Like someone’ s keys. How beautiful it was,
The sunlight pointing down at us, as if

Another Elegy ["This is what our dying looks like"]

This is what our dying looks like.
You believe in the sun. I believe
I can't love you. Always be closing,
Said our favorite professor before
He let the gun go off in his mouth.
I turned 29 the way any man turns
In his sleep, unaware of the earth
Moving beneath him, its plates in
Their places, a dated disagreement.
Let's fight it out, baby. You have
Only so long left — a man turning
In his sleep — so I take a picture.
I won't look at it, of course. It's
His bad side, his Mr. Hyde, the hole

A Friend Killed in the War

Night, the fat serpent, slipped among the plants,
Intent upon the apples of his eyes;
A heavy bandoleer hung like a prize
Around his neck, and tropical red ants
Mounted his body, and he heard advance,
Little by little, the thin female cries
Of mortar shells. He thought of Paradise.
Such is the vision that extremity grants.

The Plate

Now he has silver in him. When sometime
Death shall boil down unnecessary fat
To reach the nub of our identity,
When in the run of crime
The skull is rifled for the gold in teeth,
And chemistry has eaten from the spine
Superfluous life and vigor, why then he
Will show a richness to be wondered at,
And shall be thought a mine
Whose claim and stake are stone and floral wreath.

The Mortician in San Francisco

This may sound queer,
but in 1985 I held the delicate hands
of Dan White:
I prepared him for burial; by then, Harvey Milk
was made monument — no, myth — by the years
since he was shot.

I remember when Harvey was shot:
twenty, and I knew I was queer.
Those were the years,
Levi’ s and leather jackets holding hands
on Castro Street, cheering for Harvey Milk —
elected on the same day as Dan White.

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