A kiss on the forehead — erases misery.
I kiss your forehead.
A kiss on the eyes — lifts sleeplessness.
I kiss your eyes.
A kiss on the lips — is a drink of water.
I kiss your lips.
A kiss on the forehead — erases memory.
1917
I am happy living simply:
like a clock, or a calendar.
Worldly pilgrim, thin,
wise — as any creature. To know
the spirit is my beloved. To come to things — swift
as a ray of light, or a look.
To live as I write: spare — the way
God asks me — and friends do not.
1919
Where does such tenderness come from?
These aren’ t the first curls
I’ ve wound around my finger —
I’ ve kissed lips darker than yours.
The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.
But I’ ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.
In the beginning, a word, move;
then a plan and then the reasons,
which I do not remember exactly.
I remember clearly only the clothes
we were given for the journey
and the last, silent meal we ate.
We left the place as lightly as we
had come, so many years before.
I wait for my shadow to forget me,
to take that one phantom step that I keep
from taking. I wait for the simple flash
of a dancer's spat upon this one moon
of stage-light, the mind's lonely oval
illuminated on the surface of some
windless pond or slew. And the old soft-shoe
practices to get it right, husha-husha-hush
in its constant audition of sawdust.
Even this choreography of useless
wishing is not enough to keep tonight
from becoming nothing more than some floor's
forgotten routine where faded, numbered
We can never be with loss too long.
Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing upon the stone crucifix,
singing: “I am marvelous alone!”
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon’ s flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel’ s skull green.
The cemetery expands its borders —
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong; and light,
i
We lived on a lake with Muscovy ducks.
Interior decorators flush with furniture plans,
the ducks thrust with the thrust of youth.
ii
In Miami, this May afternoon, I look up,
the sky hot, so hot, always, and heating up hotter —
how long I have loved this scene.
The clouds are white optimistic churches;
I cannot number them.
Herons, pelicans, and gulls glide like dreams
through cloud-portals, cloud-porticos, and cloud-porte-cochères
Giotto could have done with his passion for blues and dimensions.
Hard not to love a place always called by possibility.
Nearby, Cuba is singing and somewhere here
Richard Blanco is writing his poems.
As I enter the city,
Never the bark and abalone mask
cracked by storms of a mastering god,
never the gods’ favored glamour, never
the pelagic messenger bearing orchards
in its beak, never allegory, not wisdom
or valor or cunning, much less hunger
demanding vigilance, industry, invention,
or the instinct to claim some small rise
above the plain and from there to assert
the song of another day ending;
lentil brown, uncounted, overlooked
in the clamorous public of the flock
so unlikely to be noticed here by arrivals,
After the trumpets, after the incense
There were nights insomnia fathered gods
I then rejected as too angry or distracted,
Or whose appetite for submission revealed
Their own lack of faith. Say our names,
All synonyms for trust. Others spoke
In sugared paradox: To know is to know
