The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
The weaver bird built in our house
And laid its eggs on our only tree.
We did not want to send it away.
We watched the building of the nest
And supervised the egg-laying.
And the weaver returned in the guise of the owner.
Preaching salvation to us that owned the house.
They say it came from the west
Where the storms at sea had felled the gulls
And the fishers dried their nets by lantern light.
Its sermon is the divination of ourselves
And our new horizon limits at its nest.
Each morning in the little white cabin
by the river they woke to a raccoon
clawing under the floorboards or banging
in the wood stove. They did not discuss this.
Instead they said it was a perfect day
to pick blueberries on the hill, or that
a hike to the old glassworks sounded good.
V
Leave off your works, bride. Listen, the guest has come.
Do you hear, he is gently shaking the fastening chain of the door?
Let not your anklets be loud, and your steps be too hurried to meet him.
Leave off your works, bride, the guest has come, in the evening.
My father knows the proper way
The nation should be run;
He tells us children every day
Just what should now be done.
He knows the way to fix the trusts,
He has a simple plan;
But if the furnace needs repairs,
We have to hire a man.
Gettin’ together to smile an’ rejoice,
An’ eatin’ an’ laughin’ with folks of your choice;
An’ kissin’ the girls an’ declarin’ that they
Are growin’ more beautiful day after day;
Chattin’ an’ braggin’ a bit with the men,
Buildin’ the old family circle again;
Livin’ the wholesome an’ old-fashioned cheer,
Just for awhile at the end of the year.
I wish I knew the contents and I wish the contents
Japanese —
like hairpins made of tortoiseshell or bone
though my braid was lopped off long ago,
like an overpowering pine incense
or a talisman from a Kyoto shrine,
like a Hello Kitty diary-lock-and-key,
Hello Kitty stickers or candies,
a netsuke in the shape of an octopus,
ticket stubs from the Bunraku —
or am I wishing for Mother? searching for Sister?
just hoping to give something Japanese to my daughters?
then again, people can read anything into dreams
I know I’ ll lose her.
One of us will decide. Linda will say she can’ t
do this anymore or I’ ll say I can’ t. Confused
only about how long to stay, we’ ll meet and close it up.
She won’ t let me hold her. I won’ t care that my
eyes still work, that I can lift myself past staring.
Nothing from her will reach me after that.
I’ ll drive back to them, their low white T-shaped house
What a shame I’ m not good at making my bed
Or washing the dinner dishes.
What a pity I’ m awful at broccoli-eating
And feeding my sister's fishes.
So sad I’ ve no talent for cleaning my room,
All those jobs — it’ s so hard to get through them.
(If I tell you I’ m no good at those kinds of things,
Maybe then you won’ t ask me to do them.)
Then there's the Yemeni legend
of Eve in the Garden knitting
a pattern on the serpent's back,
the snake unfinished like the rest
of creation, the first woman
thinking to add design, a sheath
of interlocking diamonds and stripes
along that sensuous S,
