The women bow and flutter in the field.
The grain lies white with wind in the wide shadow.
Summer is dark, as in the ancient time.
This fair cloud that blooms in the northwest
Has darkened now, as in the ancient time,
And clouds are still at dawn on the soft mountains.
Husks after harvest we shall leave for rain
And our heels’ trace in the loam:
The stir of boughs has warned us,
Fruit in the grass reminds us...
No but come closer. Come a little
Closer. Let the wall-eyed hornyhanded
Panhandler hit you for a dime
Sir and shiver. Snow like this
Drives its pelting shadows over Bremen,
Over sad Louvain and the eastern
Marshes, the black wold. It sighs
Into the cold sea of the north,
That vast contemptuous revery between
Antiquity and you. Turn up your collar,
What seemed a mystery was
in fact a choice. Insert bird for sorrow.
What seemed a memory was in fact
a dividing line. Insert bird for wind.
Insert wind for departure when everyone is
standing still. Insert three mountains
burning and in three valleys a signal seer
seeing a distant light and a signal bearer
sprinting to a far-off bell. What seemed
a promise was in fact a sigh.
Did they enjoy this, those honorary ancestors
Of ours, whom we may not speak of as Indians now,
But, rather, as Native Americans? Did they, that is,
Have the opportunity to take in such views?
For there were no roads then, slicing through
The hills, opening vistas like this. Astonishing!
Unless, perhaps, they were upon the Delaware,
A kind of road itself. But, otherwise, would not
The land itself have been an inconvenience,
The changing leaves an oracle of cruelties
To come and not, as for the tourists on a bus,
Some days I am happy to be no one
The shifting grasses
In the May winds are miraculous enough
As they ripple through the meadow of lupine
The field as iridescent as a Renaissance heaven
& do you see that boy with his arms raised
Like one of Raphael’ s angels held within
This hush & this pause & the sky’ s lapis expanse?
That boy is my son & I am his only father
Even when I am no one
We communicated by cheeses,
unwrapping them gingerly,
parting the crust with a fork,
tasting dew, must, salt,
raising an eyebrow,
or we let chianti talk for us,
rolling it in the glass,
staring — it was dark and shiny
as the pupil, and stared back —
or we undressed each other;
we took long walks hand in hand
in the vineyards, the pastures,
resenting each other bitterly
for our happiness that excluded us
as surely as the world did,
mountain after mountain.
A blast off the Atlantic
snaps a flag in the Firth
of Clyde, while thirty leagues
away, the same synoptic wind
surges across this hillside
honeycombed with mineshafts,
sounding the unstopped slots
of a "G" harmonica left
to dry on the kitchen sill.
Snow charges a sky
in which the sun swims
and glimmers like a groat,
a turbulent space where owls
Geneticist as driver, down the gene
codes in, let's say, a topless coupe
and you keep expecting bends,
real tyre-testers on tight
mountain passes, but instead it's dead
straight, highway as runway,
helix unravelled as vista,
as vanishing point. Keep your foot
down. This is a finite desert.
You move too fast to read it,
the order of the rocks, the cacti,
roadside weeds, a blur to you.
Every hour or so, you pass a shack
which passes for a motel here:
tidy faded rooms with TVs on
Wake me in South Galway, or better yet
In Clare. You'll know the pub I have in mind.
Improvise a hearse — one of those decrepit
Postal vans would suit me down to the ground —
A rust-addled Renault, Kelly green with a splash
Of Oscar Wilde yellow stirred in to clash
With the dazzling perfect meadows and limestone
On the coast road from Kinvara down toward Ballyvaughan.
Like the stamen inside a flower
The steeple stands in lovely blue
And the day unfolds around its needle;
The flock of swallows that circles the steeple
Flies there each day through the same blue air
That carries their cries from me to you;
