Landscapes & Pastorals

Where the western zun, unclouded,
Up above the grey hill-tops,
Did sheen drough ashes, lofty sh’ ouded,
On the turf beside the copse,
In zummer weather,
We together,
Sorrow-slightèn, work-vorgettèn,
Gambol’ d wi’ the zun a-zettèn.

There lies a somnolent lake
Under a noiseless sky,
Where never the mornings break
Nor the evenings die.

Mad flakes of colour
Whirl on its even face
Iridescent and streaked with pallour;
And, warding the silent place,

The rocks rise sheer and gray
From the sedgeless brink to the sky
Dull-lit with the light of pale half-day
Thro’ a void space and dry.

And the hours lag dead in the air
With a sense of coming eternity
To the heart of the lonely boatman there:
That boatman am I,

By such an all-embalming summer day
As sweetens now among the mountain pines
Down to the cornland yonder and the vines,
To where the sky and sea are mixed in gray,
How do all things together take their way
Harmonious to the harvest, bringing wines
And bread and light and whatsoe’ er combines
In the large wreath to make it round and gay.
To me my troubled life doth now appear
Like scarce distinguishable summits hung
Around the blue horizon: places where
Not even a traveller purposeth to steer, —

On the radio this morning: The average woman knows
275 colors — and men know eight. Women say coffee,
mocha, copper, cinnamon, taupe. Men say brown.

Women know an Amazon of colors I might have said
were green, an Antarctica of whites, oceans of colors
I'd stupidly call blue, fields of color, with flowers in them
I would have said were red.

Once I wasn’ t always so plain.
I was strewn feathers on a cross
of dune, an expanse of ocean
at my feet, garlands of gulls.

Sirens and gulls. They couldn’ t tame you.
You know as well as they: to be
a dove is to bear the falcon
at your breast, your nights, your seas.

My fear is simple, heart-faced
above a flare of etchings, a lineage
in letters, my sudden stare. It’ s you.

Because she died where the ravine falls into water.

Because they dragged her down to the creek.

In death, she wore her blue broadcloth skirt.

Though frost blanketed the grass she cooled her feet in the spring.

Because I turned the log with my foot.

Her slippers floated downstream into the dam.

Because, after the thaw, the hunters discovered her body.

Because she lived without our mother.

Because she had inherited head rights for oil beneath the land.

She was carrying his offspring.

Mauve mist-shadow cloaks the sky’ s
River-blurred, inchoate border.
Dawn’ s old story; and light tries —
Not the last time — to devise
Lasting order;

From first principles assigns
Laws to frame day’ s jurisdiction;
Drawing contours, shapes, and lines
From the nebula, it shines,
Strange as fiction.

Dormant are pinnacles and streams of the mountains,
Chasms and bluffs and crawlers fed by the dark earth;
Dormant are wild animals and that tribe of bees
And monsters out of the sea’ s dark syntax;
Dormant are clans of birds with wings that envelop.

I

I hear you are whispering there O stars of heaven,
O suns — O grass of graves...
If you do not say anything how can I say anything?

Let us tunnel

the air
(as a mole’ s green galleries)
toward the ultimate

cornfield
— the square of gold, & green, & of tassle

that rustles back at us —

let us burrow in
to a susurration, the dense starlings,

of the real —
the huge
sunflowers waving back at us,

as we move

— the great grassy world

that surrounds us,
singing.

1

In the Forest of    Wearisome Sadness,
Where one day I found myself wandering alone,
I met my heart, who called to me, asking me where I was going.

The path was long and straight, row after row of conifers receding
To a horizon that because of   the geometry
Seemed farther than it really was,
Like the door at the top of a staircase in Versailles.

But as if   the forest’ s maker had been offended by elegance,
A pile of rocks disrupted the rows: the forest once
Had been a field. I remember that field.