Living

To the Man Who Shouted “I Like Pork Fried Rice” at Me on the Street

you want to eat me
out. right. what does it taste like
you want to eat me right out
of these jeans & into something
a little cheaper. more digestible.
more bite-sized. more thank you

come: i am greasy
for you. i slick my hair with msg
every morning. i’ m bad for you.
got some red-light district between
your teeth. what does it
taste like: a takeout box
between my legs.
plastic bag lady. flimsy white fork
to snap in half. dispose of me.

Tablets

1

She pressed her ear against the shell:
she wanted to hear everything
he never told her.

2

A single inch
separates their two bodies
facing one another
in the picture:
a framed smile
buried beneath the rubble.

3

Whenever you throw stones
into the sea
it sends ripples through me.

4

My heart’ s quite small:
that’ s why it fills so quickly.

5

Water needs no wars
to mix with water
and fill up spaces.

6

Mary

My mother is obsessed with reading about Jesus these days.

I see books piled by her bed, most of them borrowed from my library: novels, handbooks, sectarian polemics, writers coming to blows. Sometimes when I’ m passing by her room she calls on me to step between them and resolve their disputes. (A little while ago I came to the aid of a historian called Kamal Salibi, whose forehead had been split open by a Catholic stone.)

enough food and a mom

The dad. body has just enough gravy on his plate
to sop up one piece of bread. So, enough for one
supper, says the mom. She comes back to him, says
don’ t argue with mom, you’ re a ghost. There’ s enough
water around to drown a cob in its husk. in a dad. He puts
up weather stripping all night. to keep out the mom. He says

A Poem for S.

Because you used to leaf through the dictionary,
Casually, as someone might in a barber shop, and
Devotedly, as someone might in a sanctuary,
Each letter would still have your attention if not
For the responsibilities life has tightly fit, like
Gears around the cog of you, like so many petals
Hinged on a daisy. That’ s why I’ ll just use your
Initial. Do you know that in one treasured story, a
Jewish ancestor, horseback in the woods at Yom
Kippur, and stranded without a prayer book,

The Love Song of J. Alfred Prufrock

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question...
Oh, do not ask, “What is it?”
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

Fever 103°

Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerberus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora’ s scarves, I’ m in a fright

One scarf will catch and anchor in the wheel,
Such yellow sullen smokes
Make their own element. They will not rise,

New York American Spell, 2001

I / omen

What was going on in the New York American
Black/red/green helmeted neon night?
The elevator door was closing behind us, we were the ones

Plunging floor after floor after floor after floor
To the abyss — but it was someone else’ s face
Staring from the screen out at us, someone else’ s face

Saying something flashing from the teleprompter:
Though what the face said was meant to reassure,
Down in the abyss the footage kept playing,

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