A Load of brushes and baskets and cradles and chairs
Labours along the street in the rain:
With it a man, a woman, a pony with whiteybrown hairs.
The man foots in front of the horse with a shambling sway
At a slower tread than a funeral train,
While to a dirge-like tune he chants his wares,
Swinging a Turk's-head brush (in a drum-major's way
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
It’ s spring in 1827, Beethoven
hoists his death-mask and sails off.
The grindstones are turning in Europe’ s windmills.
The wild geese are flying northwards.
Here is the north, here is Stockholm
swimming palaces and hovels.
The logs in the royal fireplace
collapse from Attention to At Ease.
Peace prevails, vaccine and potatoes,
but the city wells breathe heavily.
Privy barrels in sedan chairs like paschas
are carried by night over the North Bridge.
The Wise Men will unlearn your name.
Above your head no star will flame.
One weary sound will be the same —
the hoarse roar of the gale.
The shadows fall from your tired eyes
as your lone bedside candle dies,
for here the calendar breeds nights
till stores of candles fail.
I
A bullet’ s velocity in low temperatures
greatly depends on its target’ s virtues,
on its urge to warm up in the plaited muscles
of the torso, in the neck’ s webbed sinews.
Stones lie flat like a second army.
The shade hugs the loam to itself willy-nilly.
The sky resembles peeling stucco.
An aircraft dissolves in it like a clothes moth,
and like a spring from a ripped-up mattress
an explosion sprouts up. Outside the crater,
the blood, like boiled milk, powerless to seep into
Wind from the northwestern quarter is lifting him high above
the dove-gray, crimson, umber, brown
Connecticut Valley. Far beneath,
chickens daintily pause and move
unseen in the yard of the tumbledown
farmstead, chipmunks blend with the heath.
Now adrift on the airflow, unfurled, alone,
all that he glimpses — the hills’ lofty, ragged
ridges, the silver stream that threads
quivering like a living bone
of steel, badly notched with rapids,
the townships like strings of beads
I
Vowels ploughed into other: opened ground.
The mildest February for twenty years
Is mist bands over furrows, a deep no sound
Vulnerable to distant gargling tractors.
Our road is steaming, the turned-up acres breathe.
Now the good life could be to cross a field
And art a paradigm of earth new from the lathe
Of ploughs. My lea is deeply tilled.
Water: no matter how much, there is still not enough.
Cunning life keeps asking for more and then a drop more.
Our ankles are weighted with lead, we delve under the wave.
We bend to our spades, we survive the force of the gusher.
Our bodies fountain with sweat in the deeps of the sea,
Our forehead aches and holds like a sunken prow.
We are out of breath, divining the heart of the geyser,
Constellations are bobbing like corks above on the swell.
BOOK I
A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
Ever let the Fancy roam,
Pleasure never is at home:
At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let winged Fancy wander
Through the thought still spread beyond her:
Open wide the mind's cage-door,
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer's joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming;
Autumn's red-lipp'd fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?
