Nature

A sound of far-off thunder from instruments
ten feet away: drums, a log,
a gong of salvage metal. Chimes
of little Issan bells, pipes in a row, sometimes
a querulous harmonica.
Inside the elephant orchestra’ s audience,
bubbles form, of shame and joy, and burst.
Did elephants look so sad and wise,
a tourist thinks, her camera cold in her pocket,
before we came to say they look sad and wise?
Did mastodons have merry, unwrinkled faces?
Hollow boom soft chime, stamp of a padded foot,

from my bed
I watch
3 birds
on a telephone
wire.

one flies
off.
then
another.

one is left,
then
it too
is gone.

my typewriter is
tombstone
still.

and I am
reduced to bird
watching.

just thought I'd
let you
know,
fucker.

Words without much use
now. Unable to remake
the thing. And I thought

what should I think —
followed by: spring light looks
like feathers. (Birds

seemed conveniently
decorous.) What then
does this leave I asked

& was surprised to know
so quickly — that my understanding
of what the light & birds

could not be made to mean
would not detract
from them as they

were. Bound by feathers
(a thought, I will admit,
born of artifice alone)

It needn’ t be tinder, this juncture of the year,
a cigarette second guessed from car to brush.

The woods’ parchment is given
to cracking asunder the first puff of wind.
Yesterday a big sycamore came across First
and Hawthorne and is there yet.

At times they will fly under. The dome
contains jungles. Invent a sky under the dome.

Creatures awake, asleep, at play, aglow:
they float – unbottled genii – under the dome.

Southern Belle, a splash of black, dusted with gold,
dissembles, assembling, acts shy under the dome.

Cattleheart, Giant Swallowtail, Clipper:
sail, navigate sky high under the dome.

Like confetti – a wedding – bits of Rice
Paper: sheer mimicry under the dome.

Magnificent Owl, in air, a pansy,
it feeds, wings up, eye to eye, under the dome.

Because she died where the ravine falls into water.

Because they dragged her down to the creek.

In death, she wore her blue broadcloth skirt.

Though frost blanketed the grass she cooled her feet in the spring.

Because I turned the log with my foot.

Her slippers floated downstream into the dam.

Because, after the thaw, the hunters discovered her body.

Because she lived without our mother.

Because she had inherited head rights for oil beneath the land.

She was carrying his offspring.

a labyrinth,
as if at its center,
god would be there —
but at the center, only rose,
where rose came from,
where rose grows —
& us, inside of the lips & lips:
the likenesses, the eyes, & the hair,
we are born of,
fed by, & marry with,
only flesh itself, only its passage
— out of where? to where?

Then god the mother said to Jim, in a dream,
Never mind you, Jim,
come rest again on the country porch of my knees.

No, nor a fierce hurrah
for what it does without choice,
for following the light
for the same reason the light follows it.

Just a thing rough to the touch, a face
like a thousand ticks turning their backs,
suckling at something you can’ t see,
and a body like a tag off the earth

so that my child hands couldn’ t tear it out
from the overgrown lot next door.
My palms raw with the shock
of quills and spines. Its hold like spite, and ugly

I worked the river’ s slick banks, grabbling
in mud holes underneath tree roots.
You’ d think it would be dangerous,
but I never came up with a cooter
or cottonmouth hung on my fingertips.
Occasionally, though, I leapt upright,
my fingers hooked through the red gills
of a mudcat. And then I thrilled
the thrill my father felt when he

Today I’ m thinking of St. Paul — St. Paul,
who orders us, Be perfect. He could have said,
Touch your elbow to your ears, except
that if you broke your arm, then snapped your neck,
you might could manage it. The death inside
the flawed hard currency of what we touch
bamboozles us, existing only for that flaw,