Nature

I Used to Think

I used to think
The mind essential in the body, even
As stood the body essential in the mind:
Two inseparable things, by nature equal
And similar, and in creation’ s song
Halving the total scale: it is not so.
Unlike and cross like driftwood sticks they come
Churned in the giddy trough: a chunk of pine,
A slab of rosewood: mangled each on each
With knocks and friction, or in deadly pain
Sheathing each other’ s splinters: till at last
Without all stuff or shape they ’ re jetted up

In the Past

There lies a somnolent lake
Under a noiseless sky,
Where never the mornings break
Nor the evenings die.

Mad flakes of colour
Whirl on its even face
Iridescent and streaked with pallour;
And, warding the silent place,

The rocks rise sheer and gray
From the sedgeless brink to the sky
Dull-lit with the light of pale half-day
Thro’ a void space and dry.

And the hours lag dead in the air
With a sense of coming eternity
To the heart of the lonely boatman there:
That boatman am I,

Mnemosyne

It’ s autumn in the country I remember.

How warm a wind blew here about the ways!
And shadows on the hillside lay to slumber
During the long sun-sweetened summer-days.

It’ s cold abroad the country I remember.

The swallows veering skimmed the golden grain
At midday with a wing aslant and limber;
And yellow cattle browsed upon the plain.

It’ s empty down the country I remember.

I had a sister lovely in my sight:
Her hair was dark, her eyes were very sombre;
We sang together in the woods at night.

Near Helikon

By such an all-embalming summer day
As sweetens now among the mountain pines
Down to the cornland yonder and the vines,
To where the sky and sea are mixed in gray,
How do all things together take their way
Harmonious to the harvest, bringing wines
And bread and light and whatsoe’ er combines
In the large wreath to make it round and gay.
To me my troubled life doth now appear
Like scarce distinguishable summits hung
Around the blue horizon: places where
Not even a traveller purposeth to steer, —

The Geese

slicing this frozen sky know
where they are going —
and want to get there.

Their call, both strange
and familiar, calls
to the strange and familiar

heart, and the landscape
becomes the landscape
of being, which becomes

the bright silos and snowy
fields over which the nuanced
and muscular geese

are calling — while time
and the heart take measure.

From “Romanticisms”

Mortal oddment, there’ s no wish in the blood
But beat, but stay gift-strong, but make demands
To keep within veins this ore’ s diffuse gold,
These voices that know without being known —
These voices that riddle thought with herself,
Ridicule thought in her flimsy eternal
Gowns a child can tear in half   with a breath —
That chorus arterial, unbribable,
Blowing song through self as a child blows
A dandelion apart —
All those weeds? —

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