All the great voyagers return
Homeward as on an arc of thought;
Home like a ruby beacon burns
As they crest wind, scale wave, soar air;
All the great voyagers return,
Though we who wait never have done
Fearing the piteous accidents,
The coral reef sharp as the bones
It has betrayed, fate’ s cormorant
Unleashed, whose diving’ s never done.
Nimble, preserved together,
milkweed-white rears upturned,
female tule elk
bowed into rustling foxtails.
Males muscled over the slopes,
jostling mantles, marking terrain.
Their antlers clambered wide,
steep as the gorges.
As they fed, those branches twitched,
sensory, delicate,
yet when one buck reared
squaring to look at us
his antlers and his gaze
held suddenly motionless.
Further out, the skeleton.
The tar paper it seemed to lie on
was hide.
I
Neon stripes tighten my wall
where my crayon landlord hangs
from a bent nail.
My black father sits crooked
in the kitchen
drunk on Jesus’ blood turned
to cheap wine.
In his tremor he curses
the landlord who grins
from inside the rent book.
My father’ s eyes are
bolls of cotton.
He sits upon the landlord’ s
operating table,
the needle of the nation
sucking his soul.
The yolk went down my leg
Like a beautiful snail without a shell,
Went down the hill
To the skillet of water, to the nymphflies,
Into the lips of pond minnows,
Down the long belly of the gar – the hellbenders
Having dived and lost, then into
The paw of the lame panther
Who loped back to her lair with it.
As for the white, it stayed with me,
Mark of the beast, birth, and trade.
We go on and we tremble.
God says we can screw now.
God says to give up all your lovers,
Time to die.
When I was younger I drove a Lincoln.
God said to trade it in.
A tad lovely, then, and terrible,
And sick of my own kind,
I wanted to become a woman.
I wanted to wash the feet of other women
In public, I wanted his eyes
On me, olives on the ground.
I gave you my hand,
Now I go around with my sleeve
Tucked in my coat.
I climb no trees, touch
One breast at a time,
Hold no hands myself.
I am not asleep, but I see
a limb, the fingers of death, the ghost
of an anonymous painter
leaving the prints of death
on the wall; the bright feathers
of soft birds blowing
away in the forest;
the bones of fish and
the white backs of strange women;
your breathing
like the slow thunder
on the other side of some river
as you sleep beside me; old
dancing teachers weeping in their offices;
toads with bellies as quiet
as girls asleep in mansions, dreaming
of saddles and pulling the sheets
Man is so afraid, he look down at cock, long ago many
centuries ships land on the enemy’ s beach, take down
mast in the dark, climb up cliffs in the fog, ram
enemy’ s door, do bad things in castle, oh yea, man
go crazy play in blood like baby with duck in bathtub,
man think about favorite dog, got worms in heart, takes
dog to field trial, dog sniffs out man’ s lies, point
at fool in frozen water, fool man, dead dog, man look
at leaf frozen in pond, man think about woman in new
(Oakland)
Make it
the place
it was then,
so full it split
vision to live
there in winter
so late & wet
abundance
toppled toward
awful — birds
of paradise
a profusion
the ripe colors
of anodized
metal; in gutters
umbrellas
smashed
like pigeons,
bent ribs bright
among black
slack fluttering;
camellias’
pink imagoes
dropping
into water
& rotting,
sweet stink —
& did not
stop :
the inundated
Whatever city or country road
you two are on
there are nettles,
and the dark invisible
elements cling to your skin
though you do not cry
and you do not scratch
your arms at forty-five degree angles
as the landing point of a swan
in the Ohio, the Detroit River;
1. INSIDE FROM THE PERSPECTIVE OF A TREE
Beautiful women in smoky blue culottes
lying around on fluffy pink pillows
beneath windows onto charming views,
sea views, seasonal leaves and trees.
Inside is outside and outside inside.
Smell of saltwater swimming in the room.
2. OUTSIDE FROM THE PERSPECTIVE OF A ROCKING CHAIR
