New England

To the Reader: If You Asked Me

I want you with me, and yet you are the end
of my privacy. Do you see how these rooms
have become public? How we glance to see if —
who? Who did you imagine?
Surely we’ re not here alone, you and I.

I’ ve been wandering
where the cold tracks of language
collapse into cinders, unburnable trash.
Beyond that, all I can see is the remote cold
of meteors before their avalanches of farewell.

From “Mankindness”

1

Because he, because she,
in so far as
she (in so far as he) exists

is on the way
to battle.

Not what is your name,
but what
the battle?

2

“Each one of us has come
here and changed” —

is the battle. Born
a loved one,
borne a loved one.

3

My father fought in this war, thus I can speak of it.
My mother fought in this, thus I can speak.
My friends, my lovers have fought, have worn
(like the tree) their several directions at once. And I,

Almost Nowhere in the World, as Far as Anyone Can Tell

It is pleasant, very pleasant, to sit at a wooden booth
surrounded by parrots, wheels, right-turning conch shells,
the victory banner and the endless knot,
the lotus, the treasure vase, the golden fishes —
is this not so? Is it not pleasant
to sip Tsingtao beer, or Zhujiang, or Yanjing,
and tap your fingers on the bamboo mats?
After we’ ve drunk enough, there will be Buddhist Delight,
Mongolian beef side dishes, a whole host of sauces,
even some pizza and chicken wings if children are present,

At Thomas Merton’s Grave

We can never be with loss too long.
Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing upon the stone crucifix,
singing: “I am marvelous alone!”
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon’ s flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel’ s skull green.
The cemetery expands its borders —
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong; and light,

Monaco

Monaco was clean, with small clean streets.
There was not much in the way of  a shore.
There was hardly any place to go.
One clipped, well-behaved London plane tree,
not welcoming like most ordinary trees,
was kept apart by a white spear-tipped fence,
and had a somewhat diffident sense of  noblesse oblige.
Through the cream silk brocade window treatments,
you could see it; it did not contain birds,
repelled the idea of  nests, its roots
trained and snipped. At night, it was lit.

The Prodigal Son

In Miami, this May afternoon, I look up,
the sky hot, so hot, always, and heating up hotter —
how long I have loved this scene.
The clouds are white optimistic churches;
I cannot number them.
Herons, pelicans, and gulls glide like dreams
through cloud-portals, cloud-porticos, and cloud-porte-cochères
Giotto could have done with his passion for blues and dimensions.
Hard not to love a place always called by possibility.
Nearby, Cuba is singing and somewhere here
Richard Blanco is writing his poems.
As I enter the city,

The cat’s song

Mine, says the cat, putting out his paw of darkness.
My lover, my friend, my slave, my toy, says
the cat making on your chest his gesture of drawing
milk from his mother’ s forgotten breasts.

Let us walk in the woods, says the cat.
I’ ll teach you to read the tabloid of scents,
to fade into shadow, wait like a trap, to hunt.
Now I lay this plump warm mouse on your mat.

Fall River

When I wake now it’ s below ocherous, saw-ridged
pine beams. Haze streaks all three windows. I look up
at the dog-eared, glossy magazine photo
I’ ve taken with me for years. It gets tacked
like a claim to some new wall in the next place —
Bill Russell & Wilt Chamberlain, one on one
the final game of the 1969 NBA championship,
two hard men snapped elbowing & snatching at a basketball
as if it were a moment one of them might stay inside
forever. I was with
my father the night that game played

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