Persona

The Angel with the Broken Wing

I am the Angel with the Broken Wing,
The one large statue in this quiet room.
The staff finds me too fierce, and so they shut
Faith’ s ardor in this air-conditioned tomb.

The docents praise my elegant design
Above the chatter of the gallery.
Perhaps I am a masterpiece of sorts —
The perfect emblem of futility.

Mendoza carved me for a country church.
(His name’ s forgotten now except by me.)
I stood beside a gilded altar where
The hopeless offered God their misery.

The Blessed Mother Complains to the Lord Her God on the Abundance of Brokenness She Receives

Today I heard a rich and hungry boy verbatim quote
all last night’ s infomercials — an anorectic son
who bought with Daddy’ s Amex black card
the Bowflex machine and Abdomenizer,
plus a steak knife that doth slice
the inner skin of   his starving arms.
Poor broken child of   Eve myself,
to me, the flightless fly,
the listing, blistered, scalded.
I am the rod to their lightning.
Mine is the earhole their stories pierce.
At my altar the blouse is torn open
and the buttons sailed across

The cat’s song

Mine, says the cat, putting out his paw of darkness.
My lover, my friend, my slave, my toy, says
the cat making on your chest his gesture of drawing
milk from his mother’ s forgotten breasts.

Let us walk in the woods, says the cat.
I’ ll teach you to read the tabloid of scents,
to fade into shadow, wait like a trap, to hunt.
Now I lay this plump warm mouse on your mat.

La Tuvería or An Earring’s Lament

En Cuba tuve —

I’ m tired of hearing your complaints.
All that whining about el exilio, the tragedy of loss,

In Cuba I had —

the catalogue of things, the status, the riches,
the opulence of it all.

I had a mate. We were a pair. Our mistress was young. We
were young. We would dangle on her ear

Concentrate on what you have.
Forget the past.

and go out on the town. Mojitos at La Floridita,
dancing at the Tropicana and later

No, don’ t tell me about later.

from Colin Clout

What can it avail
To drive forth a snail,
Or to make a sail
Of an herring’ s tail;
To rhyme or to rail,
To write or to indict,
Either for delight
Or else for despight;
Or books to compile
Of divers manner of style,
Vice to revile
And sin to exile;
To teach or to preach,
As reason will reach?
Say this, and say that,
His head is so fat,
He wotteth never what
Nor whereof he speaketh;
He crieth and he creaketh,
He prieth and he peeketh,
He chides and he chatters,

from The Task, Book I: The Sofa

Thou know’ st my praise of nature most sincere,
And that my raptures are not conjur’ d up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken’ d to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern’ d
The distant plough slow-moving, and beside
His lab’ ring team, that swerv’ d not from the track,

Luciferin

"They won't attack us here in the Indian graveyard."
I love that moment. And I love the moment
when I climb into your warm you-smelling
bed-dent after you've risen. And sunflowers,
once a whole field and I almost crashed,
the next year all pumpkins! Crop rotation,
I love you. Dividing words between syl-
lables! Dachshunds! What am I but the inter-
section of these loves? I spend 35 dollars on a CD
of some guy with 15 different guitars in his shack
with lots of tape delays and loops, a good buy!

Things We Dreamt We Died For

Flags of all sorts.
The literary life.
Each time we dreamt we’ d done
the gentlemanly thing,
covering our causes
in closets full of bones
to remove ourselves forever
from dearest possibilities,
the old weapons re-injured us,
the old armies conscripted us,
and we gave in to getting even,
a little less like us
if a lot less like others.
Many, thus, gained fame

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