As it would for a prow, the basin parts with your foot.
Never a marsh, of heron blue
but the single red feather
from the wing of some black bird, somewhere
a planked path winds above water,
the line of sky above this aching space.
Movement against the surface
is the page that accepts no ink.
A line running even
over the alternating depths, organisms, algae,
a rotting leaf.
Any fool can get into an ocean
But it takes a Goddess
To get out of one.
What’ s true of oceans is true, of course,
Of labyrinths and poems. When you start swimming
Through riptide of rhythms and the metaphor’ s seaweed
You need to be a good swimmer or a born Goddess
To get back out of them
Look at the sea otters bobbing wildly
Out in the middle of the poem
They look so eager and peaceful playing out there where the
All the great voyagers return
Homeward as on an arc of thought;
Home like a ruby beacon burns
As they crest wind, scale wave, soar air;
All the great voyagers return,
Though we who wait never have done
Fearing the piteous accidents,
The coral reef sharp as the bones
It has betrayed, fate’ s cormorant
Unleashed, whose diving’ s never done.
Our ropes are the roots
of our life. We fish
low in the earth,
the river beneath runs through our veins,
blue and cold in a riverbed.
When the sun comes up,
the moon moves slowly to the left.
I tie the logs and limbs together,
holding them in place.
The ocean beats them
smooth like rock.
Here my sense of time is flat.
I find in a strip of damp sand
footprints and marks of hands,
and torn pieces of flesh.
Night is a beast.
The tide moves, gushing
back and forth.
Toll for the brave
The brave! that are no more:
All sunk beneath the wave,
Fast by their native shore.
Eight hundred of the brave,
Whose courage well was tried,
Had made the vessel heel
And laid her on her side;
A land-breeze shook the shrouds,
And she was overset;
Down went the Royal George,
With all her crew complete.
Thou know’ st my praise of nature most sincere,
And that my raptures are not conjur’ d up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken’ d to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern’ d
The distant plough slow-moving, and beside
His lab’ ring team, that swerv’ d not from the track,
The island’ s dark tonight.
The radio crackles with static, news
of a blackout, the voice
coming through first loud, then soft,
as if a storm were moving
to cut all lifelines off. My one-room
cabin has a bed, a table, a chair.
Living this way, I understand better
that scene by an anonymous
illuminator: a row of monks
eating at a rough table, diagonals
of light slicing across the room
to fall, as if by accident,
on their simple meal. The black
and white tiles on the floor
Here they stood, whom the Kecoughtan first believed
gods from another world, one pair of longjohns
each, bad-yellow, knotted with lice,
the godless, bandy-legged runts
with ear bit off, or eye gouged,
who killed and prayed
over whatever flew, squatted, or swam.
There was a fire in the night.
Across the street I slept among the others
as the ashes snowed upon small pines.
I slept owning nothing, a child ignorant
of fortune’ s blistering story, the playful
flash in the dark, the unseen smolder
that would leave us revealed, unchanged.
I said my prayers for luck
but the man trying to live in two houses
answers me now, losing
neither the old one whose windows burst
with weariness, nor the one half-built
whose roofless, green timbers
"They won't attack us here in the Indian graveyard."
I love that moment. And I love the moment
when I climb into your warm you-smelling
bed-dent after you've risen. And sunflowers,
once a whole field and I almost crashed,
the next year all pumpkins! Crop rotation,
I love you. Dividing words between syl-
lables! Dachshunds! What am I but the inter-
section of these loves? I spend 35 dollars on a CD
of some guy with 15 different guitars in his shack
with lots of tape delays and loops, a good buy!
