Southwestern

When I stop to consider my calling, remark
the places a wayward temper impelled me
I’ ve found in light of where I wandered lost
the most appalling evils could have befallen;
but when I disregard the journey it’ s hard to
even fathom I endured so much affliction;
what’ s more, my days being spent, I feel I’ ve
seen my wariness go with them. I’ ll come to
my end, for I surrendered artless to someone
with the science to dispel and destroy me if
so inclined, else the know-how to want to;

Turn it over and look up
into the sphere of heaven.
The tracery is lucent,
light seeping through to write,
white-ink your face, upturned.

Swing it below
and it's a cradle of blue water,
the sea, a womb.
A mixing bowl
for Babylonian gods.
Here, they whirl up the cosmos.

Because in medieval Italian it meant “room”
I tied the curtains at their elbows with
what could have been honor cords or worse
yet, a belt from the 60s, so hideous were the
tassels that were dancing a little tarantella
after I had propped the windows and the wind
had carried in the song the rubbing trees
were making, without any accompaniment,
mind you, from a tambourine, although the bells
of   the occasional sleigh played that part,
while I waited for the vixen and their shameless

the thief has made me a gift of his night’ s booty

somewhere, a daughter discovers her mother’ s coral
brooch missing, somewhere, a man recoils at the absence
of his gambling stash. somewhere, a miser rifles
over a vanished ransom in newly minted silver

all this to buy a hotbed of memories
to feed the children fresh-killed lies
to open all the locks on love

forever is a moment we hold in our stomachs

This year the leaves turn red green black
freedom colors each leaf
each stitch of grass. I am amazed
at my sweet harvest. The prison door has opened
and a nation’ s heart is released. I am full
having spent my greediness in a ritual of joy.

and then there are the one-hit zombies
cursed to an eternity of Monday nights

who runs our music does not make it
controls manufacture and marketing of rhythm
schemes on and fixes the charts. it’ s polyphonic
from the dark of the chitlin to solid gold dawn
doublecrossed over

a love come down

after the plunge
sloshing around in limbo

that too sweet gospel splash

“Lincoln? —
Well, I was in the old Second Maine,
The first regiment in Washington from the Pine Tree State.
Of course I didn’ t get the butt of the clip;
We was there for guardin’ Washington —
We was all green.

american indian
outside the guthrie
forever wounded
by tributes
high western
movie mockery
decorations
invented names
trade beads
federal contracts
limps past
the new theater

wounded indian
comes to attention
on a plastic leg
and delivers
a smart salute
with the wrong hand

precious children
muster nearby
theatrical poses
under purple
tapestries
castles
and barricades
on stage
with reservation plans

east

the whole moon
burns behind jamestown

seven wings of geese
light the thin ice

west

the asian sun
bloody on the interstate

spring flowers
break on the gray prairie

exit

fingerprints
on the rearview mirror

feral shadows
transposed near fargo

As it would for a prow, the basin parts with your foot.
Never a marsh, of heron blue
but the single red feather
from the wing of some black bird, somewhere
a planked path winds above water,
the line of sky above this aching space.

Movement against the surface
is the page that accepts no ink.
A line running even
over the alternating depths, organisms, algae,
a rotting leaf.