The Body

“Nothing but sunlight and gleaming,
linoleum flecked with flame,
a thick coat of wax that flashed
down a corridor and led to a room,
a place where I curled up a few
innocuous inches off the floor.
Straps — word out of strophe,
the restraints of line and stanza —
straps hung in loops on closet hooks.
On the nightstand a basket with
peanut butter crackers, a vivid
and unnatural orange, a crinkly
wrap. A knee-high fridge stocked
with icy juices, foil boxes, straws
glued on. A female voice next door

(from her to ravish meaning ravine On the other side
artifice slumbers in the green. The shadow follows hour
by hour hollow and gloomy and which call me forth)
………………………………. grafted onto the sentence
o a long time distant to hang on my belly obscure parallel
images and tattoos age suggestive of the fingernail grazing
the thigh the valley get turned on

To cure a child of rickets, split a living
ash tree down its length and pass
the child through
(naked, headfirst, three times).
Seal the two halves of the tree back up
and bind them with loam and black
thread. If the tree heals, so will the child.
(The child must also be washed
for three mornings in the dew
of the chosen tree.)

He glanced around to check if the treacherous gods
had really given him the reward promised for his accomplished song
and there she was, Eurydice restored, perfectly naked and fleshed
in her rhyming body again, the upper and lower smiles and eyes,
the line of mouth-sternum-navel-cleft, the chime of breasts and hips
and of the two knees, the feet, the toes, and that expression
of an unimaginable intelligence that yoked all these with a skill
she herself had forgotten the learning of: there she was, with him

About the age of twenty, when the first hairfall
signals that nature is finished with the organism
and we just begin to conceive the use of women
(having been all this time
more enamored of the fountain than the cistern),
we retire to nursing homes,
whether they be kaleidoscopic gardens
aimed like a blunderbuss of hermeticism at our neighbors,
or a desperate dream safari through old Zambesi,
where the suicidal waves of angry natives
give the illusion that we are advancing rapidly,

Cancer loves the long bone,
the femur and the fibula,
the humerus and ulna,
the greyhound’ s sleek physique,
a calumet, ribboned with fur
and eddies of dust churned to a smoke,
the sweet slenderness of that languorous
lick of calcium, like an ivory flute or a stalk
of  Spiegelau stemware, its bowl
bruised, for an eye blink, with burgundy,
a reed, a wand, the violin’ s bow —
loves the generous line of  your lanky limbs,
the distance between points A and D,
epic as Western Avenue, which never seems to end

First the bad boots
give up their strength, then the toes lift
their anchors. The ankle
bones are broken,
and so on, until the bladder lets go, without
shame, and the genital
organ washes away, the ovum
and her fertile signals. A proxy pain
stands in for the larger
intangible.

Sometimes in time’ s near
unassailable sangfroid there is
a thawing
& the memory
asserts its musicality again

reminds one that it is at heart
heart’ s artificer

* * *

Somewhere in Okinawa there are stairs

“My husband is the only
constant in”

are concrete stairs that lead one
(or at least led me, age six)
near straight from top to bottom of a cliff face
& they ended in a black-sand beach

Grasping for straws is easier;
You can see the straws.
“This most excellent canopy, the air, look you,”
Presses down upon me
At fifteen pounds per square inch,
A dense, heavy, blue-glowing ocean,
Supporting the weight of condors
That swim its churning currents.
All I get is a thin stream of it,
A finger’ s width of the rope that ties me to life
As I labor like a stevedore to keep the connection.
Water wouldn’ t be so circumspect;
Water would crash in like a drunken sailor,
But air is prissy and genteel,

Sheets entangle him
Naked on his bed
Like a toppled mast
Slack sails bedeck
At sea, no ballast
For that even keel
He cannot keep —
No steering wheel
As he falls asleep