Travels & Journeys

Exuberance

Exuberance sips bootleg gin from a garter flask
with a ruby monogram “E.”

She wears a red dress one size too small,
eyes wide, she flirts with everyone, dares

Lincoln Beachey to fly until he runs out of gas,
rides a dead engine all the way down.

She watches Ormer Locklear climb
out of the cockpit two hundred feet up,

tap dance on his upper wing
as the houses of  honest families

with their square-fenced yards
slide below his shuffle. An oval pond

winks in the sun, like a zero.
Exuberance challenges pilots

Gradations of Blue

The scent of pig is faint tonight
as the lime trees hang their heads against gradations of blue,

looking at the lone suitcase in the middle of the farmyard
with a sense of solidarity. Also forgotten.

Its owner never once looked up at them and exclaimed
I was still soft-fingered when I planted you.

In the plane, her gaze rests on a flock of cloud-birds,
pinkish purple with elongated necks, rests

on the plane’ s wing-tip colored pink by the sun.
Her head is heavy with this childhood cargo,

The Seafarer

May I for my own self song's truth reckon,
Journey's jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
Known on my keel many a care's hold,
And dire sea-surge, and there I oft spent
Narrow nightwatch nigh the ship's head
While she tossed close to cliffs. Coldly afflicted,
My feet were by frost benumbed.
Chill its chains are; chafing sighs
Hew my heart round and hunger begot
Mere-weary mood. Lest man know not
That he on dry land loveliest liveth,

The Convergence of the Twain

I
In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

II
Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III
Over the mirrors meant
To glass the opulent
The sea-worm crawls — grotesque, slimed, dumb, indifferent.

Song of Myself (1892 version)

1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’ d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Sleepover

Ida and Isidor Straus sleep side by side
eternally in an Egyptian galley
fronting their Woodlawn mausoleum.
Symbolically they lie. Their boat is small;
nor was her body recovered from the Titanic.
And yet the image of the voyage holds.

Why not embark? A river runs behind me
on the other side of this dark window.
A dream called Night Boat
arranged us side by side in a black craft,
sailing the river of forgetfulness
until the stars went out.

For the Climbers

Among the many lives you’ ll never lead,
consider that of the wolverine, for whom avalanche
is opportunity, who makes a festival
of frozen marrow from the femur of an elk,
who wears the crooked North Star like an amulet

of teeth. In the game of which animal
would you return as, today I’ m thinking
snowshoe hare, a scuffle in the underbrush,
one giant leap. You never see them
coming and going, only the crosshairs

Canto III

I sat on the Dogana’ s steps
For the gondolas cost too much, that year,
And there were not “those girls”, there was one face,
And the Buccentoro twenty yards off, howling, “Stretti”,
And the lit cross-beams, that year, in the Morosini,
And peacocks in Koré’ s house, or there may have been.
Gods float in the azure air,
Bright gods and Tuscan, back before dew was shed.
Light: and the first light, before ever dew was fallen.
Panisks, and from the oak, dryas,
And from the apple, mælid,

Canto XVI

And before hell mouth; dry plain
and two mountains;
On the one mountain, a running form,
and another
In the turn of the hill; in hard steel
The road like a slow screw’ s thread,
The angle almost imperceptible,
so that the circuit seemed hardly to rise;
And the running form, naked, Blake,
Shouting, whirling his arms, the swift limbs,
Howling against the evil,
his eyes rolling,

The River-Merchant’s Wife: A Letter

While my hair was still cut straight across my forehead
I played about the front gate, pulling flowers.
You came by on bamboo stilts, playing horse,
You walked about my seat, playing with blue plums.
And we went on living in the village of Chōkan:
Two small people, without dislike or suspicion.
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.

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