With what deep murmurs through time’ s silent stealth
Doth thy transparent, cool, and wat’ ry wealth
Here flowing fall,
And chide, and call,
As if his liquid, loose retinue stay’ d
Ling’ ring, and were of this steep place afraid;
The common pass
Where, clear as glass,
All must descend
Not to an end,
But quicken’ d by this deep and rocky grave,
I saw a man this morning
Who did not wish to die
I ask, and cannot answer,
If otherwise wish I.
Fair broke the day this morning
Against the Dardanelles;
The breeze blew soft, the morn's cheeks
Were cold as cold sea-shells.
But other shells are waiting
Across the Aegean sea,
Shrapnel and high explosive,
Shells and hells for me.
August, 1849 EN ROUTE FROM NEW YORK TO NEW ORLEANS
ABOARD THE 'GENERAL WAYNE'
Whenever my father was left with nothing to do —
waiting for someone to 'get ready',
or facing the gap between graduate seminars
and dull after-suppers in his study
grading papers or writing a review —
he played the piano.
I laid myself down as a woman
And woke as a child.
Sleep buried me up to my chin,
But my brain cut wild.
Sudden summer lay sticky as tar
Under bare white feet.
Stale, soot-spotted heapings of winter
Shrank in the street.
Black headlines, infolded like napkins,
Crashed like grenades
As war beat its way porch by porch
Up New Haven's façades.
Europe: a brown hive of noises,
Hitler inside.
On the sunny shelf by the stairs
My tadpoles died.
There, in that lost
corner of the ordnance survey.
Drive through the vanity —
two pubs and a garage — of Satley,
then right, cross the A68
past down-at-heel farms and a quarry,
The spirit is too blunt an instrument
to have made this baby.
Nothing so unskilful as human passions
could have managed the intricate
exacting particulars: the tiny
blind bones with their manipulating tendons,
the knee and the knucklebones, the resilient
fine meshings of ganglia and vertebrae,
the chain of the difficult spine.
Late October. It is afternoon.
My daughter and I walk through the leaf-strewn
Corridors of the park
In the light and the dark
Of the elms' thin arches.
Around us brown leaves fall and spread.
Small winds stir the minor dead.
Dust powders the air.
Those shrivelled women stare.
At us from their cold benches.
Child, your mittens tug your sleeves.
They lick your drumming feet, the leaves.
You come so fast, so fast.
You violate the past,
My daughter, as your coat dances.
Evans? Yes, many a time
I came down his bare flight
Of stairs into the gaunt kitchen
With its wood fire, where crickets sang
Accompaniment to the black kettle’ s
Whine, and so into the cold
Dark to smother in the thick tide
Of night that drifted about the walls
Of his stark farm on the hill ridge.
Men who have hardly uncurled
from their posture in the
womb. Naked. Heads bowed, not
in prayer, but in contemplation
of the earth they came from,
that suckled them on the brown
milk that builds bone not brain.
Who called them forth to walk
in the green light, their thoughts
on darkness? Their women,
who are not Madonnas, have babes
at the breast with the wise,
time-ridden faces of the Christ
child in a painting by a Florentine
