There is this tea
I have sometimes,
Pan Long Ying Hao,
so tightly curled
it looks like tiny roots
gnarled, a greenish-gray.
When it steeps, it opens
the way you woke this morning,
stretching, your hands behind
your head, back arched,
toes pointing, a smile steeped
in ceremony, a celebration,
the reaching of your arms.
Greenland’ s icy mountains are fascinating and grand,
And wondrously created by the Almighty’ s command;
And the works of the Almighty there’ s few can understand:
Who knows but it might be a part of Fairyland?
Because there are churches of ice, and houses glittering like glass,
And for scenic grandeur there’ s nothing can it surpass,
Besides there’ s monuments and spires, also ruins,
Which serve for a safe retreat from the wild bruins.
When the moon’ s worn scutcheon
touches the flint-gray flood,
I will lave him in foxglove
and vetch until the blood
of his wretched heart heals.
Without a scar, he stood —
as the men make their way
into the quaking wood.
Grieve not that winter masks the yet quick earth,
Nor still that summer walks the hills no more;
That fickle spring has doffed the plaid she wore
To swathe herself in napkins till rebirth.
These buddings, flowerings, are nothing worth;
This ermine cloud stretched firm across the lakes
Will presently be shattered into flakes;
Then, starveling world, be subject to my mirth.
What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.
Is it to feel our strength -
Not our bloom only, but our strength -decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?
Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!
Grown about by fragrant bushes,
Sunken in a winding valley,
Where the clear winds blow
And the shadows come and go,
And the cattle stand and low
And the sheep bells and the linnets
Sing and tinkle musically.
Between the past and the future,
Those two black infinities
Between which our brief life
Flashes a moment and goes out.
Your mother’ s in the kitchen and out
and in again. It’ s all about them.
They’ ve taken over like the dark cloud
hanging low over the back yard,
a fat aunt coming in for a hug.
Enough’ s enough. The door opens:
new guests flow in as the old
back you up like mangroves.
Why get dressed up to stay in?
Pretend to befriend other children
because they have been dumped next to you?
Resistance, then fire, then to your room
without toys. Later, it’ ll be the boys
to whom your friends will cater,
american indian
outside the guthrie
forever wounded
by tributes
high western
movie mockery
decorations
invented names
trade beads
federal contracts
limps past
the new theater
wounded indian
comes to attention
on a plastic leg
and delivers
a smart salute
with the wrong hand
precious children
muster nearby
theatrical poses
under purple
tapestries
castles
and barricades
on stage
with reservation plans
she doesn’ t wear
costume jewelry
& she knew that walt disney
was/is making a fortune off
false-eyelashes and that time magazine is the
authority on the knee/grow.
her makeup is total-real.
