Hangzhou, Lake of the Poets
MORNING
MORNING
This season for us, the Jews —
a season of candles,
one more
on the seven-branched candlestick for
the seven days of the week,
but let it be seven
in the sense of luck in dice,
seven of the stars in
the constellations:
Orion, Aldebaran in the sky
If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!”
Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
The gregarious dark is shifting
when she puts her second drink,
the free one, half on the coaster.
The tipped wine poised at the brim
is the beginning of the bad girl
she’ ll promise never to be again
tomorrow, who can taunt him now
to prove he doesn’ t love her
and never could: her hand slides
Off-season and in
the burnt forest
of my nightgown, a feral
undergrowth that marks
me as burial site —
to be still enough or
just enough.
My arms become fat arms:
hearth. I eat dirt for doubt,
a secret bleached
old as lie. I out-want
like a spindly
winged monster.
If I were a bug —
were I — then you'd hope
for reparation, and paint
more brown into the plot.
The brook is this mix of roar & hiss as if God
has managed to scalpel a section of tempest & clothespin it in
the woods Over There Always draped in the trees
while we eat white summer peaches from celadon bowls
while the sun bleaches & blue jay squawks score the maple, oak
birch and apple-treed sky with their oblique Scriabin musics.
Fifteen years since I have seen a real Fall
her deciduous burlesque, her glistering things sifting
on the old cider mill. A holy show.
Ain’ t no use as I can see
In sittin’ underneath a tree
An’ growlin’ that your luck is bad,
An’ that your life is extry sad;
Your life ain’ t sadder than your neighbor’ s
Nor any harder are your labors;
It rains on him the same as you,
An’ he has work he hates to do;
An’ he gits tired an’ he gits cross,
An’ he has trouble with the boss;
You take his whole life, through an’ through,
Why, he’ s no better off than you.
Hard Rock / was / “known not to take no shit
From nobody,” and he had the scars to prove it:
Split purple lips, lumbed ears, welts above
His yellow eyes, and one long scar that cut
Across his temple and plowed through a thick
Canopy of kinky hair.
Tricky work sometimes not to smell yourself,
ferment being constant — constant as carnival sweat
(a non-stock phrase I palmed from a girl from Canada,
a land where I once saw this graffiti: life is great).
And I have tasted myself, especially when I spilled
sinigang all down my arm in a Pinoy workers' caff
in Little Manila. I drank sinigang (is soup drunk?)
in Big Manila too, with all its dead skyscrapers.
“All accounts of the past are made up of possibilities.”
— Dionisio Martinez
for Larry Villanueva