"Hush-a-bye, baby, on the tree top..."
Hush-a-bye, baby, on the tree top,
When the wind blows the cradle will rock;
When the bough breaks the cradle will fall;
Down will come baby, cradle and all.
Hush-a-bye, baby, on the tree top,
When the wind blows the cradle will rock;
When the bough breaks the cradle will fall;
Down will come baby, cradle and all.
They lie like stones and dare not shift. Even asleep, everyone hears in prison.
Dwayne Betts deserves more than this dry ink for his teenage years in prison.
In the film we keep watching, Nina takes Darius to a steppers ball.
Lovers hustle, slide, and dip as if none of them has a brother in prison.
I eat with humans who think any book full of black characters is about race.
A book full of white characters examines insanity — but never in prison.
I understand, sure, hygiene, these days, if you're not paying attention,
with all these sicknesses, you think I'm not aware?
I'm not saying not to bathe, are you crazy?
you don't want to wash? I'm just saying to not go overboard,
because there's clean, that's fine, but not clean and shiny,
it's just that people now, bath foams, bath salts,
a bar of soap's not good enough,
no, instead, sometimes, by washing too much,
some things even get lost, the other day,
there was one lady, I didn't know her,
I know if I find you I will have to leave the earth
and go on out
over the sea marshes and the brant in bays
and over the hills of tall hickory
and over the crater lakes and canyons
and on up through the spheres of diminishing air
past the blackset noctilucent clouds
where one wants to stop and look
way past all the light diffusions and bombardments
up farther than the loss of sight
into the unseasonal undifferentiated empty stark
You dweller in the dark cabin,
To whom the watermelon is always purple,
Whose garden is wind and moon,
Of the two dreams, night and day,
What lover, what dreamer, would choose
The one obscured by sleep?
Here is the plantain by your door
And the best cock of red feather
That crew before the clocks.
From the forests and highlands
We come, we come;
From the river-girt islands,
Where loud waves are dumb
Listening to my sweet pipings.
The wind in the reeds and the rushes,
The bees on the bells of thyme,
The birds on the myrtle bushes,
The cicale above in the lime,
And the lizards below in the grass,
Were as silent as ever old Tmolus was,
The awful shadow of some unseen Power
Floats though unseen among us; visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower;
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
We are descending again in parallel —
I cannot say together — as in another dream
you rushed through the first door
without me. It was late. Your name
was an elevator door resisting its rail,
its screech my only attempt to reach you.
Was it the hurt that filled the elevator
I entered with gurneys and gowned girls,
incubated hearts pumping for a home?
Floors flicker as they fall.
The girls’ chatter flaps shrill at light,
tangles in my hair and away
BOOK I
Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
For why am I afraid to sing
the fundamental shape of awe
should I now begin to sing the silvered back of
the winter willow spear
the sparkling agate blue
would this blade and this sky free me to speak
intransitive lack –
the vowels themselves free