Now he has silver in him. When sometime
Death shall boil down unnecessary fat
To reach the nub of our identity,
When in the run of crime
The skull is rifled for the gold in teeth,
And chemistry has eaten from the spine
Superfluous life and vigor, why then he
Will show a richness to be wondered at,
And shall be thought a mine
Whose claim and stake are stone and floral wreath.
We want to give ourselves away utterly
but afterwards we resent it, it is the same
with the sparrows, their eyes burn so coldly
under the dusty pines, their small chests swell
as they dispute a crumb, or the empty place
where a seed was once: this is our law too,
to peck and peck at the Self, to take turns
being I, to die in a fierce sidelong glance,
then to hold the entire forest in one tilt
of a tufted head, to take flight suddenly
and fuck in midair, tumbling upward.
There it was, word for word,
The poem that took the place of a mountain.
He breathed its oxygen,
Even when the book lay turned in the dust of his table.
It reminded him how he had needed
A place to go to in his own direction,
How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,
For the outlook that would be right,
Where he would be complete in an unexplained completion:
The exact rock where his inexactnesses
Would discover, at last, the view toward which they had edged,
Of all the various lots around the ball,
Which fate to man distributes, absolute;
Avert, ye gods! that of the Muse's son,
Curs'd with dire poverty! poor hungry wretch!
What shall he do for life? he cannot work
With manual labour: shall those sacred hands,
That brought the counsels of the gods to light;
Shall that inspired tongue, which every Muse
Has touch'd divine, to charm the sons of men:
These hallow'd organs! these! be prostitute
To the vile service of some fool in power,
All his behests submissive to perform,
I summon up Panofskv from his bed
Among the famous dead
To build a tomb which, since I am not read,
Suffers the stone’ s mortality instead;
Which, by the common iconographies
Of simple visual ease,
Usurps the place of the complexities
Of sound survivors once preferred to noise:
Is it, then, your opinion
Women are putty in your hands?
Is this the face to launch upon
A thousand one night stands?
First, please, would you be so kind
As to define your contribution
To modern verse, the Western mind
And human institutions?
The Poets light but Lamps —
Themselves — go out —
The Wicks they stimulate
If vital Light
Inhere as do the Suns —
Each Age a Lens
Disseminating their
Circumference —
Ventura because she was hungry and because
She was curious — but more because she was curious —
Took the dare, a kiss for a pomegranate.
Everyone gathered, her friends and his. Everyone
Watched: the boys, the girls, the pigs and the chickens,
And more. Moving to the front were the children
She and Clemente would one day have,
And the children of those children, too,
Gathered and loud with everyone and everything else,
Loud as the pigs and fast as the chickens
Though she could not see them.
Snapping turtles in the pond eat bass, sunfish,
and frogs. They do us no harm when we swim.
But early this spring two Canada geese
lingered, then built a nest. What I’ d
heard of, our neighbor feared: goslings,
as they paddle about, grabbed from below
by a snapper, pulled down to drown.
So he stuck
hunks of fat on huge, wire-leadered hooks
attached to plastic milk-bottle buoys.
The first week he caught three turtles
A fly wounds the water but the wound
soon heals. Swallows tilt and twitter
overhead, dropping now and then toward
the outward-radiating evidence of food.
The green haze on the trees changes
into leaves, and what looks like smoke
floating over the neighbor’ s barn
is only apple blossoms.
